“Heavyocity’s FORZO is a delightful library. It puts viscerally compelling brass performance at your fingertips. These inspiring instruments will keep composers moving forward.”

“We were hoping that no one would find out about the new DAMAGE pack… but the secret’s out. Pure sickness from the best in the biz.”

“A great go-to tool that combines what you need to add a controlled amount of saturation and punch to your percussion, or to unleash total mayhem out of your analog synthesizers.”

“The Heavyocity team has done it again with Vento. What an incredible inspiration this new library is for starting a project or ending a project. It provides a source of inspiration in the creative production of the winds, while also providing an imaginative color and flavor which we’ve found to be infinitely useful. Composition encapsulates writing, performing, producing and recording. Vento really allows you to uniquely explore all four of those avenues in the way it’s been done and it does it in a very user friendly way.”

“Finally someone has made high string effects with bends! NOVO is incredible! The panning and tuning are spot on. It’s so deep and useful, both for traditional and synth strings, that it has won an immediate place in my template.”

“Heavyocity has released yet another indispensable addition to the Gravity line. From the slick pulses and phrases to the evocative beds and drones, there’s some really fresh and inspirational sounds begging to be added to your palette.”

“Heavyocity’s Scoring Bass pack is full of nuanced instruments that put a creative spin on the bass. From simple loops to complex sound design, Scoring Bass puts inventive low end possibilities at the composer’s fingertips.”

“GRAVITY is the perfect tool for any composer scoring to picture. The sounds are inspiring and categorized in a really smart way. The interface is deep but also quick and intuitive. GRAVITY has already become one of my go to scoring tools. Thanks for nailing it again, Heavyocity.”

“Mutations 2 takes Heavyocity’s sound into an even more customizable, destructive realm. The programming and ‘Trigger FX’ switching in this new set of sounds eliminates huge amounts of time I normally spend personalizing sounds. Out of the box, Mutations 2 once again fits nicely with the style I write. Adding in the ‘on the fly’ effects key-switching makes this this collection a MUST BUY.”

“The guys from Heavyocity keep on impressing me. Without fail, Mutations steps it up a notch. A very hard dirty industrial creepy notch! This is a perfect compliment to the already diverse Evolve. Once again, right out of the box, these sounds lit a massive brush fire of ideas in my head, that kept spreading and expanding. An all around a must have!”

“We are already using DM-307 on every new cue we’re scoring on ‘Almost Human’! We know we’re just scratching the surface on what seems to be an infinitely limitless production tool! The sounds and flexibility are amazing!”

“Woodwinds are the underappreciated darling of the orchestral palette. VENTO closes the gap between traditional writing and current production aspects with a beautiful, ready-to-play library.”

“Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“Ethnic Drum Ensembles is the library I was always longing for when I wanted “that” huge ethnic sound! As soon as I heard this newest release by the Heavyocity guys I knew they nailed it again as they did with all their previously released products!”

“The other day I wandered into the studio and noticed an unfamiliar and spooky looking interface glowing at me from the computer. Turns out its the new Heavyocity GRAVITY, which my assistant had set up. I sat down, pressed a key, and started laughing out loud. GRAVITY is stunning. You guys have done it again.”

“Well, I’ve found my new go-to brass library. Hands down the smoothest and most dynamic brass I’ve had the pleasure of playing. Add in the extended techniques and sound design patches, and it’s three libraries in one. Another stellar release!”

“NOVO: Modern Strings is dynamic and expressive. It provides the composer with a wide range of orchestral tools that suit any project. It is intuitive and will keep you inspired.”

“With my daily composing work I need to produce a lot of music and very fast,
but also music that sounds fully produced and in high quality. This is exactly what Evolve Mutations 2 gives me, and then some! The quality of the samples is superb, and the loops are flawless. On top of that this library is very easy to operate, so it just makes my life easier. I HIGHLY RECOMMEND.”

“I love it! The bass frequencies sound amazing and the highs have the perfect brightness. Ground-breaking!”

“From warm and lush to fierce and agitated, Synthetic Strings covers a lot of sonic ground.
Simultaneously vintage and modern, this pack can fit into any track.”

“Once again, the team at Heavyocity deliver a stellar product in FORZO: Modern Brass. As a composer and trombonist, I am very particular when it comes to brass libraries. FORZO delivers in all areas, with superbly performed and recorded traditional brass sections, plus hundreds of clusters, effects and swells. Then there are some amazing patches that have the modern Heavyocity twist, with mangled loops and sequences which will fit right at home into any modern production. You have never heard brass like this.”

“For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”

“Scoring Guitars 1 was an integral part of my sound for the tv show, Freakish. With Scoring Guitars 2, they’ve raised the bar again and provided a collection of sounds that will instantly add motion and drama. Whether I’m starting a cue from the ground up, or peppering in a bit of SG2 for color, these new sounds are instant inspiration.”

“With other sample libraries, I have to spend too much of my time tweaking them to get them to sound acceptable. Evolve Mutations sounds incredible right away, which allows me to spend more time composing, and less time trying to fix mediocre sounds.”

“As with all Heavyocity lines, Mosaic Keys is another great addition to my growing toolkit. The ability to isolate various parts of each sample opens up a world of possibilities.”

“With so many great brass libraries on the market it’s hard to stand out, but leave it to Heavyocity to do just that. The traditional section is top notch, but it’s when you get into the extended and evolved areas that FORZO really makes its mark. From the random flutters and the cluster swells to the ambient pads, there is inspiration around every corner. Don’t miss out on this library.”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”

“After using Aeon Melodic and Rhythmic for just one week I am really taken away by its proficiency and the time and effort the team behind it took to deliver such a solid package. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument.”

“DAMAGE is everything a composer wishes for in a virtual instrument – outstanding sounds combined with instant gratification. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart’s content is invaluable! DAMAGE just became my go-to source for cutting edge rhythmic sounds.”

“If you’re working in trailers, or really any form of hybrid scoring, you need FORZO in your arsenal. It’s heavy, versatile, and completely unique! I feel like I’ve only scratched the surface.”

“With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

“Scoring Guitars 2 builds on the strengths of the first Scoring Guitars with more of the great sounding ambiences and pulses. The rhythmic pedals are a great addition that can add attitude to any track. Overall, this is a wonderful instrument on its own that really shines in combination with other Heavyocity instruments.”

“Just when Evolve had become one of my ‘go to’ musical sound design instruments, Heavyocity piles on the awesomeness with Mutations 2. I love the new designy pads, great new hits, the new interface and the real time trigger FX. 2 thumbs way up and a big grin on my face. Very useful stuff!”

“The DM-307 is really intuitive and easy to work with it. You can expect really nice sounds for your productions, for sure.”

“Mutations is a fantastic upgrade to Evolve. The sounds blend perfectly with the rest of my libraries and provide more of the same edgy kind of material I love using to spice up my tracks.”

“GRAVITY is a cutting-edge, unique design tool that uses intensely well-recorded live orchestral and analog sources to create modern ambiences, pulses, risers and more. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend.”

“Finally! A piano that can make all those abstract “piano-based sounds” I hear in my head, with all the usually delicious and sublime Heavyocity accoutrements. The core sounds are spot on as well – beautiful and emotional – everything I need for cinematic writing.”

“Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

“ASCEND is a beautifully-sampled grand piano. Straight out of the box, the Core Concert D fits perfectly within a myriad of different mixes. Heavyocity treats this piano no different than any other library they’ve created. As beautiful as the original piano does sound, and this library could stand on its own with just being a sampled grand, the bulk of the library gets Heavyocity’s signature treatment. The palette of sounds, whether pads, ARPs or rhythms, is immensely inspiring to say the least. They’ve done some pretty innovative stuff with ASCEND, taking full use of Kontakt’s abilities. There’s a lot going on under the hood. I was off and running on three different pieces just from hearing and being inspired by these sounds. ASCEND definitely gets the creative juices flowing and I am glad it’s part of my arsenal.”

“Heavyocity does it again! AEON is perfect for building melodic textures and beefy motifs, quickly and efficiently. The sonic possibilites are endless.”

“Synthetic Strings is yet another ‘add-on’ pack to Heavyocity’s NOVO that is loaded with an abundance of material. Many presets harken back to the synths of the 70s & 80s, which can easily find their way into many modern productions. Once again the treat in this Pack is the Designer Patches. How they manipulate these synths in the ‘Designer Patches’ is beyond me, but I can always count on Heavyocity to spark the fires of creativity.”

“Great stuff! A very nice addition to the previous library (Evolve). Thumbs Up.”

“DAMAGE is a great musical tool for those looking for ballsy percussive sounds that will add color and vibrance to their tracks.  It has great sounds and an intuitive interface.”

“I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

“What can I say? Heavyocity continues to blow me away with their amazing and infinitely adaptable sounds. These drums are so modern and punchy, oozing with analog mojo that so many sample libraries seem to be missing. And the interface! So a treat to use – classy looks with ultra intuitive controls. Heavyocity makes it so easy to tweak the sounds and make them your own. Hands down the best looking, and sounding, virtual instruments available.”

“…both Aeon Rhythmic and Melodic sound fantastic. I’ve come to expect that. But Heavyocity has gone five steps further in their programming. There is a true, real, usable, and to my mind the finest digital emulation of a step sequencer in these libraries! The sound shaping possible in the Aeon interface is better than any Kontakt library we’ve used to date at my studio. Simply put – instantly usable sounds in an infinitely customizable interface, deeply and expertly programmed.”

“Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

“Holy interface Batman! GRAVITY is an unbelievable feat in sampling technology. Not only does it sound awesome..with endless possibilities, but it’s just plain fun. Which is where the best inspiration comes from. Thank you, Heavyocity! GRAVITY kicks a$$!”

“I like having a huge pallet of sounds to draw from, and DAMAGE has extended mine further. It’s not just a preset factory though, there’s so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too.”

“Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”

“AEON is a welcome addition to my studio’s sound library. There’s a really nice organic essence to the sounds, plus the tweakability of the interface gives even more scope to do something different.”

“Mosaic Keys is an incredibly inspiring and intuitive tool. With such an expansive range of textures and colors, it will no doubt find its way into many of my future projects. Its sound sources are uniquely compelling, and its ability to layer these sounds with dynamic parameter control makes it truly unlimited in its creative scope.”

“AEON offers a tremendous new palette of sounds and inspiration for modern scoring.”

“I had the chance to try NOVO and I was amazed by the versatility and the intuitiveness of the instrument. Here we have a very powerful tool, using classic or unusual string sounds, plus a very large library of ’designed strings’ and, perhaps even more importantly, a very strong ‘Loop Designer’ machine, ready for immediate use, or with some sophisticated programming, more custom results. NOVO fills a gap that we composers were feeling when creating music with a rhythmic contemporary approach and, at the same time, an orchestral or post-orchestral sound. This may be the beginning of a new concept of great virtual instruments! Thanks Heavyocity!”

“Evolve captures the top qualities I look for in a library: cinematic gravitas. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired.”

“Heavyocity continues to offer the most innovative and dynamic sounds. Both AEON Rhythmic and AEON Melodic are creative, inspiring, and will provide a unique sound to any music project.”

“The Hits material alone is worth the price! I’ve used Gravity for sound design applications as well as dynamic musical impacts (“Hits”). Gravity fits in great with both hybrid and orchestral sessions. I highly recommend it.”

“I absolutely love, LOVE this instrument. So gorgeous and expressive, and full of endless creative possibilities. So easy to use, too. One of the best libraries they have ever put out. Bravo Heavyocity.”

“Heavyocity has done it again with Evolve Mutations. This is another no brainer library to own. The sounds are so relevant and useable right out of the box for many types of scoring projects that I work on. They have fast become one of my favorite sample developers.”