“NOVO: Modern Strings is dynamic and expressive. It provides the composer with a wide range of orchestral tools that suit any project. It is intuitive and will keep you inspired.”

“Heavyocity continues to offer the most innovative and dynamic sounds. Both AEON Rhythmic and AEON Melodic are creative, inspiring, and will provide a unique sound to any music project.”

“Rhythmic Textures is not a replacement for your string library, instead it is one of those rare sample libraries that inspire ideas from the composer immediately upon playing them. The samples are rich and organic and very realistic sounding. When you play them you are immediately enticed to compose using these moody evocative smaller string ensembles, rich in mood and attitude and ideal for the composer who scores to picture. Best of all, they suggest ideas without dictating them. Highly recommended.”

“What you guys delivered is completely different… Nothing sounds like this. The sounds seem perfect for anything from a really intelligent dance remix to the score for ‘Battlestar Galactica’ or a billion other movies… Just awesome inspiring kick-ass sounds!!”

“I am not a ‘sample library’ kind of guy, but this thing blew my f-ing mind.”

“If I were a director, I could not resist shooting a scene on every single one of the ‘Ambient-Elements’ patches! I especially love the more minimal elegance on some of the synth-presets. Leading-edge stuff!!”

“Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

“I absolutely love, LOVE this instrument. So gorgeous and expressive, and full of endless creative possibilities. So easy to use, too. One of the best libraries they have ever put out. Bravo Heavyocity.”

“Ethnic Drum Ensembles is the library I was always longing for when I wanted “that” huge ethnic sound! As soon as I heard this newest release by the Heavyocity guys I knew they nailed it again as they did with all their previously released products!”

“I love the Aeon Melodic library, and it’s so easy to use and program. When I am writing I just want stuff to “work”. “Advanced Performance Options” allow me to explore very contemporary soundscapes which is great in augmenting live musicians and orchestra. I love how easy it is to use. The sounds seem to fit seamlessly into my orchestrations. Great Work!!”

“Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

“DAMAGE is everything a composer wishes for in a virtual instrument – outstanding sounds combined with instant gratification. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart’s content is invaluable! DAMAGE just became my go-to source for cutting edge rhythmic sounds.”

“PUNISH is the perfect cure for that boring ‘straight out of the box’ sound. From subtle sonic facelifts to all out audio decimation, Heavyocity gives us the plugin we didn’t know we needed but probably won’t be able to live without”

“With other sample libraries, I have to spend too much of my time tweaking them to get them to sound acceptable. Evolve Mutations sounds incredible right away, which allows me to spend more time composing, and less time trying to fix mediocre sounds.”

“Vocalise 2 balances a great selection of playable vocals with some more creative treatments that work exceptionally well as layers in a composition. Each patch feels alive and is brimming with energy. The additional array of excellent vocal performances captured and organized as phrases makes this a complete and versatile instrument by Heavyocity.”

“I have tools that are subtle and tools that slam. PUNISH is a great way for me to slam fast when I need to. Easy to dial in and make a sound more exciting.”

“I like having a huge pallet of sounds to draw from, and DAMAGE has extended mine further. It’s not just a preset factory though, there’s so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too.”

“DM-307 continues to innovate the Heavyocity sound through immersive sound design and musical programming. DM-307 offers me a versatile sound palette that expands the possibilities of musical expression and creation.”

“A very fast and very tweakable one-stop black box to make your tracks bump, grind, pop, scream, or shout”

“I’ve spent hours going through the whole library and every single sound is fat and clean, just the way I like them. [DM-307] gives you the option to make them the way you like, tweaking here and there. The whole thing is ACE! I’ve been using Heavyocity’s products since day one and have always been extremely satisfied.”

“AEON is a welcome addition to my toolkit. It’s sound quality and ease of use is refreshing. Like DAMAGE before it, AEON presents a vast array sonic possibilities for the hybrid music composer.”

“The DM307 is an extremely versatile groove making powerhouse. The range of this instrument amazed me. From out-of-box killer grooves to being able to meticulously craft your own by using their new GRID and LOOP MUTATOR features. With an enormous library of sounds and the ability to tweak, the DM307 is a welcomed addition to my sound and style of writing.”

“With DAMAGE, the Heavyocity guys redefined percussive sampling. Now with AEON they created an entire universe of organic hybrid sounds ready to be mangled at your finger tips. Never has a sample library had this many features and powerful effects. Better hurry, I’m already using it on my next score.”

“Wow, where do I even start!? Where did you guys come from? This Evolve library is everything I’ve wanted in a sample library for years. The dynamic range across all 6 gigs of content is astounding, from the heaviest of hits and beats, to the lightest quirkiness of a mouth pop. The quality and production of Evolve from top to bottom is by far the biggest bang for your buck on the market today.”

“The beauty of Evolve is the deadly combination of first-rate, out-of-the-box sounds with the all too easy ability to tweak everything to make it your own. It’s the best of both worlds! Evolve is at the top of my ‘go-to’ list for inspirational and evocative sounds. It’s easily one of the best sounding virtual instruments I’ve had the pleasure of playing.”

“EVOLVE MUTATIONS 2 delivers a new kick-ass set of inspiring, great sounding, very playable loops and instrument patches. Letting you play, process and “evolve” the sounds in real time using just your keyboard and key commands, EVOLVE MUTATIONS 2 delivers like nothing else. I’m hooked!”

“AEON Melodic and Rhythmic are two extremely powerful instruments packed with high end sounds and I can’t wait to explore them further in the next weeks! Expect some new tunes from me with AEON sounds involved!”

“Scoring Guitars 1 was an integral part of my sound for the tv show, Freakish. With Scoring Guitars 2, they’ve raised the bar again and provided a collection of sounds that will instantly add motion and drama. Whether I’m starting a cue from the ground up, or peppering in a bit of SG2 for color, these new sounds are instant inspiration.”

“DAMAGE has become an integral part of my palette and it blends seamlessly regardless of the genre of music I’m working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ’s and filters.”

“Scoring Guitars 2 builds on the strengths of the first Scoring Guitars with more of the great sounding ambiences and pulses. The rhythmic pedals are a great addition that can add attitude to any track. Overall, this is a wonderful instrument on its own that really shines in combination with other Heavyocity instruments.”

“It feels like you took my six outboard compressors and created a plugin especially for me. I’ve become very picky about my software dynamics over the years and PUNISH is above and beyond anything I’ve encountered – a fantastic combo of vintage vibe with all-in happy sauce for that pro gloss.”

“Aeon is yet another fine example of the sonic brilliance we’ve come to expect from the guys at Heavyocity. The instantly usable sounds, mixed with the customizable intuitive controls make these sounds a dream to work with.”

“With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

“Being a guitar player myself, I tend to shy away from any kind of virtual guitar instruments. But Heavyocity has taken guitars to a whole new level with Scoring Guitars 2. I love the clean tone of the instrument and having so many choices to distort, mangle and overall punish the original sound. The forward and reverse options are also inspiring and huge timesavers.”

“Well, I’ve found my new go-to brass library. Hands down the smoothest and most dynamic brass I’ve had the pleasure of playing. Add in the extended techniques and sound design patches, and it’s three libraries in one. Another stellar release!”

“Applying Heavyocity’s PUNISH to my tracks and mixes feels like somebody put a huge drum stool thumper under my seat!”

“DAMAGE is a great musical tool for those looking for ballsy percussive sounds that will add color and vibrance to their tracks.  It has great sounds and an intuitive interface.”

“Instantly hooked on the DM-307. Its fluidity to write drums is amazing and the structure is well-planned out. Full support on this and to The Heavyocity team.”

“ASCEND: Modern Grand encapsulates the timeless nature and true power of a deeply sampled Steinway Piano. The library provides me with an inspirational toolkit of thousands of unique sounds. I find the ability to combine gorgeous piano textures with extended techniques very effective. Whether it is bowed, brushed, twined, and harmonic techniques, these combinations provide wonderful new colors and tones for sonic inspiration. The interface is user friendly. The spatial and timbral effects presets are dynamic and exciting. The arpeggiator, echo, modulations, and multiple filter options allow me to transform the default settings into my own patches with ease. Thank you Heavyocity!”

“The diversity of sound within GRAVITY is astonishing. Each sound inspires new ideas and creative techniques that enhance my writing process. The elements in GRAVITY not only sound great but are very musical and functional. Music/Sound design is pushed to new limits with GRAVITY. Any musician will benefit with GRAVITY in their toolbox.”

“Heavyocity’s new Ensemble Drums is a welcome addition to my studio. Continuing their reputation for powerful organic percussion, it’s ease of use and impressive sonic quality provides an excellent foundation for modern film music production.”

“I’m loving the DM-307, it’s got that signature Heavyocity attitude, rock solid timing and an incredible variety of ultra-tweakable sounds. The GUI is among the best I’ve ever used in a Kontakt instrument. It’s is an amazing drum tool that has instantly jumped to the top of my go-to list.”

“PUNISH is a great combo of glue, punch, and character. You can really dial in the desired intensity, it’s incredibly well-conceived and the PUNISH Knob is genius.”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“Heavyocity has released yet another indispensable addition to the Gravity line. From the slick pulses and phrases to the evocative beds and drones, there’s some really fresh and inspirational sounds begging to be added to your palette.”

“Scoring Guitars is an inspiring tool that puts a variety of tastefully processed and programmed guitar performances within close reach. With all of Gravity’s sound-sculpting features, it is a powerful and adaptable instrument that is great for creating organic cinematic layers.”

“GRAVITY lives up to its name for me. Deep, Cinematic, and extremely playable. It brings such instant satisfaction, but with extensive tweak ability as well. It just sounds Alive to me. An instant addition to my next movie score”

“Natural Forces is truly an impressive sound synthesizer. The design of these sounds are unique and compelling. Natural Forces can provide multiple uses for musical ideas or sound-designing projects. Natural Forces is a wonderful pack to explore.”

“For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”

“When we loaded up DAMAGE, the sound quality of the samples took our breath away. It sounds absolutely awesome – huge!

“Clearly a huge amount of creative energy and musical ability has gone into making Evolve the unique and useful instrument that it is. I continue to be impressed.”

“I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

“Great stuff! A very nice addition to the previous library (Evolve). Thumbs Up.”

“Rhythmic Textures takes great sounding organic string recordings and pushes them in new directions with creative arranging and processing.
The result is a compelling collection of fascinating string performances, easily accessed and shaped for any project.”

“Heavyocity has done it again with Evolve Mutations. This is another no brainer library to own. The sounds are so relevant and useable right out of the box for many types of scoring projects that I work on. They have fast become one of my favorite sample developers.”

“What can I say? Heavyocity continues to blow me away with their amazing and infinitely adaptable sounds. These drums are so modern and punchy, oozing with analog mojo that so many sample libraries seem to be missing. And the interface! So a treat to use – classy looks with ultra intuitive controls. Heavyocity makes it so easy to tweak the sounds and make them your own. Hands down the best looking, and sounding, virtual instruments available.”

“FORZO is a welcome addition to the composer’s brass toolkit. Not only is it a strong fully fleshed out high quality brass library, but it includes all kinds of unique prerecorded loops and audio sound design that add greatly to its utility for the media composer.”

“PUNISH is a mix-ready bag of tricks, put together in a way I haven’t seen or heard before. I was quickly adding some serious attitude to my mix!”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”