“As with all Heavyocity lines, Mosaic Voices is another great addition to my growing toolkit. The ability to isolate various parts of each sample opens up a world of possibilities.”

“The boys at Heavyocity have come up with another blinder in Damage – top notch sounds and the smart & creative programming tools needed to manipulate them.  Job done!”

“DM-307 is yet another home run for the boys at Heavyocity. It offers the
user the chance to create unique and fresh drum loops & sounds with
maximum flexibility and is a joy to use. It’s a keeper without doubt!”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”

“Damage 2 is insane! It’s a new benchmark in production quality that gives us easy access to sound manipulation allowing for an infinite number of ways to custom craft a sound into your cues and songs. The overwhelming power of the hits is exactly what is needed to accent moments with a strong punch. The performances are organized brilliantly for quick inspiration, which is crucial in heavy writing situations and the interface is intuitive. Loving Damage 2 at our studios right now.”

“There are so many interesting sounds in the DM-307 that I plan to use. I found there to be a lot of really nice dark percussion and cool hi hats. Very dark-techy….and also a little bit electro!”

“GRAVITY is the perfect tool for any composer scoring to picture. The sounds are inspiring and categorized in a really smart way. The interface is deep but also quick and intuitive. GRAVITY has already become one of my go to scoring tools. Thanks for nailing it again, Heavyocity.”

“EVOLVE MUTATIONS 2 delivers a new kick-ass set of inspiring, great sounding, very playable loops and instrument patches. Letting you play, process and “evolve” the sounds in real time using just your keyboard and key commands, EVOLVE MUTATIONS 2 delivers like nothing else. I’m hooked!”

“…both Aeon Rhythmic and Melodic sound fantastic. I’ve come to expect that. But Heavyocity has gone five steps further in their programming. There is a true, real, usable, and to my mind the finest digital emulation of a step sequencer in these libraries! The sound shaping possible in the Aeon interface is better than any Kontakt library we’ve used to date at my studio. Simply put – instantly usable sounds in an infinitely customizable interface, deeply and expertly programmed.”

“Great stuff! A very nice addition to the previous library (Evolve). Thumbs Up.”

“With my daily composing work I need to produce a lot of music and very fast,
but also music that sounds fully produced and in high quality. This is exactly what Evolve Mutations 2 gives me, and then some! The quality of the samples is superb, and the loops are flawless. On top of that this library is very easy to operate, so it just makes my life easier. I HIGHLY RECOMMEND.”

“I’ve spent hours going through the whole library and every single sound is fat and clean, just the way I like them. [DM-307] gives you the option to make them the way you like, tweaking here and there. The whole thing is ACE! I’ve been using Heavyocity’s products since day one and have always been extremely satisfied.”

“This library is a beast! It opens up a whole new playground for keeping the “sound of the sound” alive and responsive—and, above all, inspiring. Like its predecessors, it makes me want to hang out in my studio for days on end and just explore. The Trigger FX function adds a whole new dimension, making it seriously addictive to explore even deeper, effectively banishing the “been there, heard that” personality of so many other libraries. With Mutations 2 Heavyocity have ‘upped the game’… again.”

“The Heavyocity team has done it again with Vento. What an incredible inspiration this new library is for starting a project or ending a project. It provides a source of inspiration in the creative production of the winds, while also providing an imaginative color and flavor which we’ve found to be infinitely useful. Composition encapsulates writing, performing, producing and recording. Vento really allows you to uniquely explore all four of those avenues in the way it’s been done and it does it in a very user friendly way.”

“I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

“Damage 2 is right up my alley, but besides being a worthy successor to the Damage throne, it’s so much more. Along with the expected ultra-hard hybrid style hits and processed loops, the organic and ethnic percussion side is hugely expanded, with a massive selection of drums that are impossible to find and difficult to record. The control I get from the front panel allows me to craft my mixes from natural-sounding to way bigger than life, and the perspective mixer and kit builder features let me work with exactly the mix of sounds I want in a single Kontakt instance. It’s no surprise that Damage 2 is an absolute must-have for modern film composers.”

“With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

“Damage 2 elevates cinematic percussion with its phenomenal collection of organic and enhanced percussive sounds. When crystal clear, punchy, and energetic drums are needed, Damage 2 delivers.”

“Mutations is a fantastic upgrade to Evolve. The sounds blend perfectly with the rest of my libraries and provide more of the same edgy kind of material I love using to spice up my tracks.”

“We were hoping that no one would find out about the new DAMAGE pack… but the secret’s out. Pure sickness from the best in the biz.”

“GRAVITY lives up to its name for me. Deep, Cinematic, and extremely playable. It brings such instant satisfaction, but with extensive tweak ability as well. It just sounds Alive to me. An instant addition to my next movie score”

“What you guys delivered is completely different… Nothing sounds like this. The sounds seem perfect for anything from a really intelligent dance remix to the score for ‘Battlestar Galactica’ or a billion other movies… Just awesome inspiring kick-ass sounds!!”

“VENTO: Modern Woodwinds is another stellar quality release from the team at Heavyocity. This library completely delivers a wonderful and deep array of woodwind textures; From the more organic Traditional patches, to many more incredibly sound-designed Evolved patches, which composers always enjoy from Heavyocity. There is such a huge variety of sounds in this library, from the more traditional woodwind textures, to Ambient pads, aletoric FX and Textures, all the way through to Rhythmic elements and Loops. You have definitely not heard woodwinds like this before! Superb! If you are working in modern scoring you should buy this. Adding it to my template immediately is a no brainer.”

“DM-307 continues to innovate the Heavyocity sound through immersive sound design and musical programming. DM-307 offers me a versatile sound palette that expands the possibilities of musical expression and creation.”

“Rhythmic Textures definitely has Heavyocity & Jason Graves’ signature all over it, in the best way. The basic bones of it, the actual samples recorded, are ripe with compelling motion, but then the ability to utterly mangle them from there forward is truly powerful. It was a joy to experiment and instantly profoundly useful.”

“Master Sessions: Ensemble Drums is yet another killer sounding, sleek and deceivingly deep product from Heavyocity. The kits sit nicely in your mixes, and with the ability to Punish and Twist all the stem breakdowns of the loops, it’s easy to make them your own.”

“Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

“I’ve used the original Damage library on pretty much everything. On video game work like Deus Ex but also my own record, Doomsday. With Damage 2, the Heavyocity guys have set a new standard in percussion libraries. The punch, the clarity and the new mix options are mind-blowing. Of course, since I like my sounds crunchy, you can shape the drums at your hearts desire with a ton of new options. In short: Damage 2 is a must-own for any cinematic composer.”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“Mosaic Tape is an inspiring toolkit of gritty and nostalgic sounds that are full of crushing basses, ambient pads, and unique pulsing arps. As soon as I opened the Mosaic Tape library, I went right to the Playable pads. The playable pads are great for layering with the other Mosaic and Heavyocity libraries to create a hybrid sound. The organ and keyboard presets are my favorite! I am already using this toolkit of tape drenched sounds on a project! Thanks Heavyocity!”

“In exploring Heavyocity’s “Mosaic Pluck,” the “cool factor” is very high! Heavyocity has once again given us a great new tool to incorporate into our creative process.”

“A great go-to tool that combines what you need to add a controlled amount of saturation and punch to your percussion, or to unleash total mayhem out of your analog synthesizers.”

“Heavyocity has put their creative touch on layering acoustic performances and sounds in a way that is pleasing and highly adaptable with Scoring Acoustic Guitars. Capable of instantly setting a mood or adding depth to a track, these guitar sounds are quite powerful.”

“DAMAGE is everything a composer wishes for in a virtual instrument – outstanding sounds combined with instant gratification. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart’s content is invaluable! DAMAGE just became my go-to source for cutting edge rhythmic sounds.”

“Vocalise 2 balances a great selection of playable vocals with some more creative treatments that work exceptionally well as layers in a composition. Each patch feels alive and is brimming with energy. The additional array of excellent vocal performances captured and organized as phrases makes this a complete and versatile instrument by Heavyocity.”

“Sometimes my sounds are bad and need to be punished. Now I just run them through PUNISH and they become even more bad ass!”

“The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity’s new offering will shatter all of them.”

“Heavyocity has raised the bar with DAMAGE; the sounds, controls, and the programming of DAMAGE are truly inspirational.”

“As a big fan of the original Damage, I had high expectations for the sequel, and yet it still completely blew me away. Damage 2 is a massive leap forward, it sets a very high standard for cinematic percussion libraries. I did not expect such an extensive collection of organic drums, all of which sound amazing. Honestly, you could stop there and have a fantastic library…but there’s also a huge collection of new hybrid “Damaged” sounds, which no one does better than Heavyocity. And I love the new interface, it’s super easy to navigate around and customize things quickly, which I really appreciate when I’m deep in writing mode. Damage 2 is easily one of the best cinematic percussion libraries out there. Heavyocity I am a fan for life, you folks are mad geniuses.”

Don’t just take his word for it, try Heavyocity’s Damage 2 yourself and see why composer Steve Jablonsky praises it!

“Heavyocity is without a doubt far beyond their peers and at the forefront of using Kontakt & it’s scripting abilities to the fullest. This time, with Aeon they not only created new content, but new original tools to manipulate the synths & rhythms, giving the artist even more creative control than ever before. Using their custom intuitive interface, coupled with it’s outstanding content puts Aeon over the top. There is no other library like it.”

“Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

“AEON offers a tremendous new palette of sounds and inspiration for modern scoring.”

“Damage 2 is unique and contains an explosion of sounds that are ready to play in stereo and surround. As soon as I opened the library, I was able to incorporate it into my template. It’s big, boomy, and bright. The percussion sounds are unique, full of colorful textures. articulations and mallet options. Ensemble Designer is wonderful for building your own personal sound. The Kit Designer is easy to use and provides endless options for kits. Being able to create my own hybrid kit was quick and easy. Damage 2 is my new go to ensemble percussion library for big, bold and detailed drums. Thanks team Heavyocity!”

“Once again a Heavyocity product lights the fuse of inspiration. Tape is a nice addition to Heavyocity’s Mosaic series. It’s like having a huge library of mellotrons on steroids at your finger tips.”

“Mutations delivers dry, in-your-face sounds that ooze style and character. It’s also aptly named – the simple but powerful interface allows radical manipulation and sonic mayhem, which is a must for those of us looking to make every sound ‘our own.’ And of course, in the tradition of Evolve, it sounds like a million bucks and sits perfectly in all of my mixes.”

“Synthetic Strings is another colorfully powerful package from our friends at Heavyocity. The size and depth of what can be done with this library is endless from huge fat evolving synths to cutting raw synths, strings and filters. The ability to craft rhythmic patterns from raw and processed synths and strings leaves us inspired with each cue we write. Thanks Heavyocity!!”

“The DM-307 is really intuitive and easy to work with it. You can expect really nice sounds for your productions, for sure.”

“Clearly a huge amount of creative energy and musical ability has gone into making Evolve the unique and useful instrument that it is. I continue to be impressed.”

“Heavyocity’s Scoring Bass pack is full of nuanced instruments that put a creative spin on the bass. From simple loops to complex sound design, Scoring Bass puts inventive low end possibilities at the composer’s fingertips.”

“ASCEND starts with a great collection of prepared piano samples but that’s only the beginning. It goes deep into uncharted territory with the automatable Three Point Mixer, a great pitch-shifting and pitch-quantizing delay, and a really amazing set of convolution impulses. From dark emotional pianos to hypnotic patterns and all the way to subtle atmospheres and evil dronescapes, ASCEND will go there. Highly recommended!”

Don’t just take his word for it, try Heavyocity’s ASCEND Grand Piano Virtual Instrument yourself!

“FORZO is a welcome addition to the composer’s brass toolkit. Not only is it a strong fully fleshed out high quality brass library, but it includes all kinds of unique prerecorded loops and audio sound design that add greatly to its utility for the media composer.”

“Scoring Guitars 1 was an integral part of my sound for the tv show, Freakish. With Scoring Guitars 2, they’ve raised the bar again and provided a collection of sounds that will instantly add motion and drama. Whether I’m starting a cue from the ground up, or peppering in a bit of SG2 for color, these new sounds are instant inspiration.”

“Heavyocity continues to offer the most innovative and dynamic sounds. Both AEON Rhythmic and AEON Melodic are creative, inspiring, and will provide a unique sound to any music project.”

“Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

“How would I describe Mosaic Tape? I’d say it falls into the “Omg-where-did-you-get-that-sound” category. So darn unique and immediately inspiring. Heavyocity…you rock, thank you.”

“After using Aeon Melodic and Rhythmic for just one week I am really taken away by its proficiency and the time and effort the team behind it took to deliver such a solid package. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument.”

“The diversity of sound within GRAVITY is astonishing. Each sound inspires new ideas and creative techniques that enhance my writing process. The elements in GRAVITY not only sound great but are very musical and functional. Music/Sound design is pushed to new limits with GRAVITY. Any musician will benefit with GRAVITY in their toolbox.”

“Heavyocity has released yet another indispensable addition to the Gravity line. From the slick pulses and phrases to the evocative beds and drones, there’s some really fresh and inspirational sounds begging to be added to your palette.”

“When it comes to unique tones, colors, and rhythmic sounds the Heavyocity line of plugins can be an amazing library of textures to choose from. Not only do they sounds great from the start, but they’re also easy to program and tweak to create your own identity. I’ve used them many times and most recently on my score to Perry Mason to great affect. The Master Session Library really help me to create what we called on the show “Perry’s World”. Great plugins at an amazing price.”

“Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”