“Heavyocity’s VENTO is a remarkable take on woodwind ensemble performance. The traditional patches provide plenty of power and beauty. In the evolved patches, Heavyocity twists these amazing samples into a variety of compelling organic textures whose woodwind roots contribute to a sound far from ordinary.”

“DM-307 continues to innovate the Heavyocity sound through immersive sound design and musical programming. DM-307 offers me a versatile sound palette that expands the possibilities of musical expression and creation.”

“NOVO is an instant classic. I swear we will be hearing it everywhere in the coming months, and that’s because it’s so darn good and inspiring. As soon as you press a note you get a vibe going, but then you can delve in, assign parameters to faders, and really start sculpting these patches to the way you like them. A premium library from the Heavyocity guys”

“I have tools that are subtle and tools that slam. PUNISH is a great way for me to slam fast when I need to. Easy to dial in and make a sound more exciting.”

“After using Aeon Melodic and Rhythmic for just one week I am really taken away by its proficiency and the time and effort the team behind it took to deliver such a solid package. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument.”

“As a big fan of the first release and with high expectations, I was still shocked by how great Damage 2 came out! It’s almost ridiculous how well designed and perfect sounding this is.
For the working composer who needs to get shit done, this is hands down the best percussion library out there. The synergy between time-synched and individual elements is groundbreaking!”

“In a way, FORZO is the brass library I have been waiting for. For how I write, it’s an instant addition to my palette”

“If I were a director, I could not resist shooting a scene on every single one of the ‘Ambient-Elements’ patches! I especially love the more minimal elegance on some of the synth-presets. Leading-edge stuff!!”

“With other sample libraries, I have to spend too much of my time tweaking them to get them to sound acceptable. Evolve Mutations sounds incredible right away, which allows me to spend more time composing, and less time trying to fix mediocre sounds.”

“Heavyocity has released yet another indispensable addition to the Gravity line. From the slick pulses and phrases to the evocative beds and drones, there’s some really fresh and inspirational sounds begging to be added to your palette.”

“With VENTO I finally have a family of woodwinds that fit the dark and scary moods in my scores. There’s a lot to love in VENTO; besides the beautifully done section recordings of “ordinary” articulations, there’s a ton of haunting, delicate, and terrifying textures and effects. Going deeper into the processed and rhythmic samples served up in the excellent NOVO engine, VENTO provides a thoroughly modern take on traditional woodwinds, and is at the top of my list… and template. I Love it!”

“Heavyocity’s Scoring Bass pack is full of nuanced instruments that put a creative spin on the bass. From simple loops to complex sound design, Scoring Bass puts inventive low end possibilities at the composer’s fingertips.”

“The beauty of Evolve is the deadly combination of first-rate, out-of-the-box sounds with the all too easy ability to tweak everything to make it your own. It’s the best of both worlds! Evolve is at the top of my ‘go-to’ list for inspirational and evocative sounds. It’s easily one of the best sounding virtual instruments I’ve had the pleasure of playing.”

“Mutations is a fantastic upgrade to Evolve. The sounds blend perfectly with the rest of my libraries and provide more of the same edgy kind of material I love using to spice up my tracks.”

“The diversity of sound within GRAVITY is astonishing. Each sound inspires new ideas and creative techniques that enhance my writing process. The elements in GRAVITY not only sound great but are very musical and functional. Music/Sound design is pushed to new limits with GRAVITY. Any musician will benefit with GRAVITY in their toolbox.”

“Synthetic Strings is full of vintage analog tones, from icy string machines to warm and wooly basses, and it’s a great complement to the other NOVO packs. The sound quality is outstanding and it’s great to have this content wrapped in the excellent NOVO user interface, which makes it easy to create everything from darkly evolving cinematic pulses to retro-futuristic strings. Even though I own tons of vintage hardware synths, the capabilities of the NOVO engine takes these sounds to another level of control and experimentation. Definitely recommended!”

“What you guys delivered is completely different… Nothing sounds like this. The sounds seem perfect for anything from a really intelligent dance remix to the score for ‘Battlestar Galactica’ or a billion other movies… Just awesome inspiring kick-ass sounds!!”

“Between Damage, DM-307 and Evolve, I thought I had every massive percussion library I’d ever need. I was wrong. Master Sessions: Ensemble Drums brings the extra low end punch that blends perfectly with your other libraries. These are samples that you didn’t know you needed, but that now you can’t live without.”

“Damage 2 is a deep library and is an instant ‘go to’ for me as a composer. The ability to work with loops, single hits and ensembles, as well as being able to drop source samples in, makes this an indispensable tool. I am blown away by the sheer range of instruments available, both organic and processed, and the amount of velocity layers make this the most naturally playable percussion library available. Also, the sound quality of Damage 2 is sublime. From the instruments selected to the natural room sound and the highest quality signal path, this library sounds absolutely incredible.”

“It rages, rips and roars in to pole position on my sound template. Awesome recordings put to intelligent use in an easy-to-use box. Once again, keeping the heavy in to Heavyocity! Nice one.”

“Heavyocity’s new VENTO: Modern Woodwinds library is an amazing and inspirational tool for film scoring! The organic feel to these beautiful orchestral and hybrid Woodwind textures are unparalleled. The recording quality of the samples is impeccable. This library goes many levels deeper than the typical classical woodwind library. The woodwind designer is a great engine which gives me the ability to manipulate an endless number of settings, articulations, loops, and FX. With the vast number of parameters to manipulate, it’s easy to create a fresh set of sounds for every session. VENTO has become an essential part of my toolkit. Along with NOVO and FORZO, it’s a trilogy of soundscapes right at my fingertips. Thank you Heavyocity!!”

“I’ve spent hours going through the whole library and every single sound is fat and clean, just the way I like them. [DM-307] gives you the option to make them the way you like, tweaking here and there. The whole thing is ACE! I’ve been using Heavyocity’s products since day one and have always been extremely satisfied.”

“AEON offers a tremendous new palette of sounds and inspiration for modern scoring.”

“The other day I wandered into the studio and noticed an unfamiliar and spooky looking interface glowing at me from the computer. Turns out its the new Heavyocity GRAVITY, which my assistant had set up. I sat down, pressed a key, and started laughing out loud. GRAVITY is stunning. You guys have done it again.”

“Heavyocity nails it yet again with this excellent library. From inspiring organic pads to incredibly simple and useful patterns, this library mines the acoustic guitar for its every possibility.”

“Damage 2 is unique and contains an explosion of sounds that are ready to play in stereo and surround. As soon as I opened the library, I was able to incorporate it into my template. It’s big, boomy, and bright. The percussion sounds are unique, full of colorful textures. articulations and mallet options. Ensemble Designer is wonderful for building your own personal sound. The Kit Designer is easy to use and provides endless options for kits. Being able to create my own hybrid kit was quick and easy. Damage 2 is my new go to ensemble percussion library for big, bold and detailed drums. Thanks team Heavyocity!”

“DAMAGE has become an integral part of my palette and it blends seamlessly regardless of the genre of music I’m working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ’s and filters.”

“Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

“FORZO: Modern Brass is the new overlord of all brass libraries. It’s extremely playable and the interface is slick and effortless with plenty of control. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. The additional “mangling” options are my favorite and never fail to spark inspiration.”

“What can I say? Heavyocity continues to blow me away with their amazing and infinitely adaptable sounds. These drums are so modern and punchy, oozing with analog mojo that so many sample libraries seem to be missing. And the interface! So a treat to use – classy looks with ultra intuitive controls. Heavyocity makes it so easy to tweak the sounds and make them your own. Hands down the best looking, and sounding, virtual instruments available.”

“Mosaic Keys is an incredibly inspiring and intuitive tool. With such an expansive range of textures and colors, it will no doubt find its way into many of my future projects. Its sound sources are uniquely compelling, and its ability to layer these sounds with dynamic parameter control makes it truly unlimited in its creative scope.”

“Damage 2 is right up my alley, but besides being a worthy successor to the Damage throne, it’s so much more. Along with the expected ultra-hard hybrid style hits and processed loops, the organic and ethnic percussion side is hugely expanded, with a massive selection of drums that are impossible to find and difficult to record. The control I get from the front panel allows me to craft my mixes from natural-sounding to way bigger than life, and the perspective mixer and kit builder features let me work with exactly the mix of sounds I want in a single Kontakt instance. It’s no surprise that Damage 2 is an absolute must-have for modern film composers.”

“Within seconds of installing DAMAGE it became an essential part of my studio. It’s unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit.”

“When it comes to unique tones, colors, and rhythmic sounds the Heavyocity line of plugins can be an amazing library of textures to choose from. Not only do they sounds great from the start, but they’re also easy to program and tweak to create your own identity. I’ve used them many times and most recently on my score to Perry Mason to great affect. The Master Session Library really help me to create what we called on the show “Perry’s World”. Great plugins at an amazing price.”

“With Damage 2, Heavyocity has raised the bar for cinematic percussion. It’s way more than an instrument – it’s a full-on creative environment. Damage 2 encompasses a huge range of sounds and applications with a deep interface that inspires you to create original musical signatures with ease. The sonic quality is gorgeous, full, and detailed. The Ensemble and Kit Designer open up awesome performance-oriented features and sound design options. I also love the refined spatial articulation of the Stage, and the way you can customize patches in the Loop Designer, from the waveform level to stacking and stutter to sequence-modulated effects. Heavyocity is the best at designing musical tools that are extensively programmable and also incredibly fun to work with. You can just dive in and start creating. Whether you are scoring film, TV, games, or trailers, Damage 2 is truly a home run.”

“The DM307 is an extremely versatile groove making powerhouse. The range of this instrument amazed me. From out-of-box killer grooves to being able to meticulously craft your own by using their new GRID and LOOP MUTATOR features. With an enormous library of sounds and the ability to tweak, the DM307 is a welcomed addition to my sound and style of writing.”

“GRAVITY lives up to its name for me. Deep, Cinematic, and extremely playable. It brings such instant satisfaction, but with extensive tweak ability as well. It just sounds Alive to me. An instant addition to my next movie score”

“Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

“Very cool presets and sounds. It’s great for creating loops from another approach. I seriously dig the drum and hi-hat banks. Good stuff!!”

“ASCEND sounds beautiful, organic, and contemporary because it uses the natural potentials of the piano and seamlessly blends that with intuitive synthesis tools. The result is an elevated expression that sits wonderfully inside a cinematic mix. ASCEND provides a new take on piano that many composers have been waiting to add to their palette – including myself! Thanks Heavyocity.”

“Sometimes my sounds are bad and need to be punished. Now I just run them through PUNISH and they become even more bad ass!”

“Just when Evolve had become one of my ‘go to’ musical sound design instruments, Heavyocity piles on the awesomeness with Mutations 2. I love the new designy pads, great new hits, the new interface and the real time trigger FX. 2 thumbs way up and a big grin on my face. Very useful stuff!”

“PUNISH is the perfect cure for that boring ‘straight out of the box’ sound. From subtle sonic facelifts to all out audio decimation, Heavyocity gives us the plugin we didn’t know we needed but probably won’t be able to live without”

“How would I describe Mosaic Tape? I’d say it falls into the “Omg-where-did-you-get-that-sound” category. So darn unique and immediately inspiring. Heavyocity…you rock, thank you.”

“Every once in a while a sample library comes along that raises the bar. Evolve has done just that, it’s outstanding, and should be on the must-have list for any composer.”

“When it comes to unique tones, colors, and rhythmic sounds the Heavyocity line of plugins can be an amazing library of textures to choose from. Not only do they sounds great from the start, but they’re also easy to program and tweak to create your own identity. I’ve used them many times and most recently on my score to Perry Mason to great affect. The Master Session Library really help me to create what we called on the show “Perry’s World”. Great plugins at an amazing price.”

“The DM-307 is really intuitive and easy to work with it. You can expect really nice sounds for your productions, for sure.”

“Heavyocity is without a doubt far beyond their peers and at the forefront of using Kontakt & it’s scripting abilities to the fullest. This time, with Aeon they not only created new content, but new original tools to manipulate the synths & rhythms, giving the artist even more creative control than ever before. Using their custom intuitive interface, coupled with it’s outstanding content puts Aeon over the top. There is no other library like it.”

“Ahhh yes, those ambitious and creative people at Heavyocity have outdone themselves once again. Certainly the raw sounds that this thing serves up have an arresting depth and clarity that is hard to ignore, but it is the flexible way that one can manipulate said sounds that appeals to me the most. About as user friendly as one could possibly hope for.
Nice one, you Damage(d) people. Top stuff indeed!”

“PUNISH is brilliant. Accurate and precise, it can add simple punch to your track or mixes or completely destroy them! It already did wonders on my Analog synth tracks for the Deus Ex Mankind Divided soundtrack!”

“AEON is a welcome addition to my studio’s sound library. There’s a really nice organic essence to the sounds, plus the tweakability of the interface gives even more scope to do something different.”

“With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

“As a big fan of the original Damage, I had high expectations for the sequel, and yet it still completely blew me away. Damage 2 is a massive leap forward, it sets a very high standard for cinematic percussion libraries. I did not expect such an extensive collection of organic drums, all of which sound amazing. Honestly, you could stop there and have a fantastic library…but there’s also a huge collection of new hybrid “Damaged” sounds, which no one does better than Heavyocity. And I love the new interface, it’s super easy to navigate around and customize things quickly, which I really appreciate when I’m deep in writing mode. Damage 2 is easily one of the best cinematic percussion libraries out there. Heavyocity I am a fan for life, you folks are mad geniuses.”

Don’t just take his word for it, try Heavyocity’s Damage 2 yourself!

“Woodwinds are the underappreciated darling of the orchestral palette. VENTO closes the gap between traditional writing and current production aspects with a beautiful, ready-to-play library.”

“Heavyocity has created another amazing product with DAMAGE.”

“DAMAGE is everything a composer wishes for in a virtual instrument – outstanding sounds combined with instant gratification. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart’s content is invaluable! DAMAGE just became my go-to source for cutting edge rhythmic sounds.”

“Scoring Guitars is an inspiring tool that puts a variety of tastefully processed and programmed guitar performances within close reach. With all of Gravity’s sound-sculpting features, it is a powerful and adaptable instrument that is great for creating organic cinematic layers.”

“PUNISH is a mix-ready bag of tricks, put together in a way I haven’t seen or heard before. I was quickly adding some serious attitude to my mix!”

“The boys at Heavyocity have come up with another blinder in Damage – top notch sounds and the smart & creative programming tools needed to manipulate them.  Job done!”

“Fresh sounding and malleable, ASCEND: Modern Grand is perfect for creating evocative organic piano textures. ASCEND is packed with wildly creative articulations that come together seamlessly with Heavyocity’s powerful new engine, creating utility far beyond that of the superb piano this instrument is built atop.”