“Woodwinds are the underappreciated darling of the orchestral palette. VENTO closes the gap between traditional writing and current production aspects with a beautiful, ready-to-play library.”

“Well, I’ve found my new go-to brass library. Hands down the smoothest and most dynamic brass I’ve had the pleasure of playing. Add in the extended techniques and sound design patches, and it’s three libraries in one. Another stellar release!”

“Being a guitar player myself, I tend to shy away from any kind of virtual guitar instruments. But Heavyocity has taken guitars to a whole new level with Scoring Guitars 2. I love the clean tone of the instrument and having so many choices to distort, mangle and overall punish the original sound. The forward and reverse options are also inspiring and huge timesavers.”

“I’ve always loved Heavyocity because of their bold and in your face approach to sound design. The standalone PUNISH effect is everything I hoped it would be. So far I’ve used it on percussion and synths for that extra bit of mean and nasty, and I look forward to trying it out on pretty much everything else. Thank you Heavyocity for this dangerous new tool.”

“AEON is a welcome addition to my studio’s sound library. There’s a really nice organic essence to the sounds, plus the tweakability of the interface gives even more scope to do something different.”

“Mosaic Voices is packed with endless combinations of inspiring sounds and underlying movement. I find it to be a great springboard for ideas, whether it be the foundations of a cue or a song. The GUI, which is definitely a descendant of their previous releases, is easy to maneuver and makes customizing each of the three channel’s sounds super easy and fun.”

“If you’re working in trailers, or really any form of hybrid scoring, you need FORZO in your arsenal. It’s heavy, versatile, and completely unique! I feel like I’ve only scratched the surface.”

“I absolutely love, LOVE this instrument. So gorgeous and expressive, and full of endless creative possibilities. So easy to use, too. One of the best libraries they have ever put out. Bravo Heavyocity.”

“Evolve Mutations 2 take the core musical and sonic coolness of Evolve to a completely different level. The sounds are extreme and evocative. A really great tool for anyone in music production.”

“The beauty of Evolve is the deadly combination of first-rate, out-of-the-box sounds with the all too easy ability to tweak everything to make it your own. It’s the best of both worlds! Evolve is at the top of my ‘go-to’ list for inspirational and evocative sounds. It’s easily one of the best sounding virtual instruments I’ve had the pleasure of playing.”

“From ethereal, otherworldly vocals to organic, weighty pads, Mosaic Voices is chalked full of accessible, emotional sounds. Mosaic Voices has all the tools for creating tasteful and adaptable layers that convincingly meld the synthetic with the organic.”

“I had the chance to try NOVO and I was amazed by the versatility and the intuitiveness of the instrument. Here we have a very powerful tool, using classic or unusual string sounds, plus a very large library of ’designed strings’ and, perhaps even more importantly, a very strong ‘Loop Designer’ machine, ready for immediate use, or with some sophisticated programming, more custom results. NOVO fills a gap that we composers were feeling when creating music with a rhythmic contemporary approach and, at the same time, an orchestral or post-orchestral sound. This may be the beginning of a new concept of great virtual instruments! Thanks Heavyocity!”

“If I were a director, I could not resist shooting a scene on every single one of the ‘Ambient-Elements’ patches! I especially love the more minimal elegance on some of the synth-presets. Leading-edge stuff!!”

“Wow, what an amazing instrument! AEON takes working with samples, FX and modulation to another level. It has super flexible controls and allows the quick creation of patterns with amazing sounds. Will probably become one of the best tools in my DAW for the next few of years. I am excited to work more with it.”

“Rhythmic Textures definitely has Heavyocity & Jason Graves’ signature all over it, in the best way. The basic bones of it, the actual samples recorded, are ripe with compelling motion, but then the ability to utterly mangle them from there forward is truly powerful. It was a joy to experiment and instantly profoundly useful.”

“Fresh sounding and malleable, ASCEND: Modern Grand is perfect for creating evocative organic piano textures. ASCEND is packed with wildly creative articulations that come together seamlessly with Heavyocity’s powerful new engine, creating utility far beyond that of the superb piano this instrument is built atop.”

“Mosaic Voices brilliantly combines hybrid, expansive vocal textures with subtle, organic voice elements. Driven by the powerful Mosaic Engine, its creative capacity knows no limits. I find it to be a refreshingly versatile tool for crafting cinematic music.”

“I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

“Heavyocity has done it again with Evolve Mutations. This is another no brainer library to own. The sounds are so relevant and useable right out of the box for many types of scoring projects that I work on. They have fast become one of my favorite sample developers.”

“In the crowded world of sample-based Sound Design & film scoring tools Heavyocity’s Aeon series stands apart not only in terms of it vast array of  progressive timbres, tone colors, & moods but in the attention to user controllable aspects that encourage users to make their Aeon Soundscape experience  truly their own. Fantastic!”

“Synthetic Strings is a new and unique outlook on the software synth. As someone who heavily lives in electronic scoring, Synthetic Strings is a great tool for those who may not have the time to experiment with analogue synths. The Loop Designer is also a great way to spark inspiration in a pinch, the possibilities are endless!”

“The diversity of sound within GRAVITY is astonishing. Each sound inspires new ideas and creative techniques that enhance my writing process. The elements in GRAVITY not only sound great but are very musical and functional. Music/Sound design is pushed to new limits with GRAVITY. Any musician will benefit with GRAVITY in their toolbox.”

“Evolve captures the top qualities I look for in a library: cinematic gravitas. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired.”

“A great go-to tool that combines what you need to add a controlled amount of saturation and punch to your percussion, or to unleash total mayhem out of your analog synthesizers.”

“PUNISH is a mix-ready bag of tricks, put together in a way I haven’t seen or heard before. I was quickly adding some serious attitude to my mix!”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“Finally someone has made high string effects with bends! NOVO is incredible! The panning and tuning are spot on. It’s so deep and useful, both for traditional and synth strings, that it has won an immediate place in my template.”

“Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

“FORZO: Modern Brass is the new overlord of all brass libraries. It’s extremely playable and the interface is slick and effortless with plenty of control. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. The additional “mangling” options are my favorite and never fail to spark inspiration.”

“AEON is a welcome addition to my toolkit. It’s sound quality and ease of use is refreshing. Like DAMAGE before it, AEON presents a vast array sonic possibilities for the hybrid music composer.”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“Synthetic Strings is full of vintage analog tones, from icy string machines to warm and wooly basses, and it’s a great complement to the other NOVO packs. The sound quality is outstanding and it’s great to have this content wrapped in the excellent NOVO user interface, which makes it easy to create everything from darkly evolving cinematic pulses to retro-futuristic strings. Even though I own tons of vintage hardware synths, the capabilities of the NOVO engine takes these sounds to another level of control and experimentation. Definitely recommended!”

“With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

“I love how Heavyocity pushes the boundaries of timbre and rhythm with the DM-307. Not surprisingly, it’s just another great product from this consistently, high quality, innovative and most importantly MUSICAL company. Thank you Heavyocity for the good work.”

“I love the Aeon Melodic library, and it’s so easy to use and program. When I am writing I just want stuff to “work”. “Advanced Performance Options” allow me to explore very contemporary soundscapes which is great in augmenting live musicians and orchestra. I love how easy it is to use. The sounds seem to fit seamlessly into my orchestrations. Great Work!!”

“Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

“The DM307 is an extremely versatile groove making powerhouse. The range of this instrument amazed me. From out-of-box killer grooves to being able to meticulously craft your own by using their new GRID and LOOP MUTATOR features. With an enormous library of sounds and the ability to tweak, the DM307 is a welcomed addition to my sound and style of writing.”

“AEON offers a tremendous new palette of sounds and inspiration for modern scoring.”

“Heavyocity’s new Ensemble Drums is a welcome addition to my studio. Continuing their reputation for powerful organic percussion, it’s ease of use and impressive sonic quality provides an excellent foundation for modern film music production.”

“Instantly inspiring, this is yet another Heavyocity instrument that checks the ‘I always wanted this’ box for me! Zero learning curve, maximum adaptability – goes straight into my main template!”

“ASCEND: Modern Grand encapsulates the timeless nature and true power of a deeply sampled Steinway Piano. The library provides me with an inspirational toolkit of thousands of unique sounds. I find the ability to combine gorgeous piano textures with extended techniques very effective. Whether it is bowed, brushed, twined, and harmonic techniques, these combinations provide wonderful new colors and tones for sonic inspiration. The interface is user friendly. The spatial and timbral effects presets are dynamic and exciting. The arpeggiator, echo, modulations, and multiple filter options allow me to transform the default settings into my own patches with ease. Thank you Heavyocity!”

“Mosaic Keys is an arsenal of warm keyboard tones, carefully constructed with just the right amount of color, complemented by an analogous swath of gritty, attitude-laden patches. There’s inspiration to be found in every sound, easily tailored with Mosaic’s powerful sound-shaping tools.”

“Sometimes my sounds are bad and need to be punished. Now I just run them through PUNISH and they become even more bad ass!”

“Heavyocity is consistently putting out libraries that have found their way into almost every score I’ve written over the last five years. With the release of GRAVITY, I was literally holding back cues from clients until I could add these sounds to my current projects. Well done, guys!”

“Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

“GRAVITY lives up to its name for me. Deep, Cinematic, and extremely playable. It brings such instant satisfaction, but with extensive tweak ability as well. It just sounds Alive to me. An instant addition to my next movie score”

“Heavyocity have done it once again. On loading the first few patches of GRAVITY, I knew that this library was truly unique in it’s sound. The impacts are earth shattering, the pads are both beautifully haunting and utterly twisted at the same time, and the risers are simply massive. This is a wonderful addition to the other Heavyocity libraries, and GRAVITY fits into my sonic palette like a glove and is already firmly in my template.”

“I am not a ‘sample library’ kind of guy, but this thing blew my f-ing mind.”

“I love using the MOSAIC series of instruments. Not only do they incorporate a fresh approach to tonal variation, they also build in flexible and easily customizable layers of composition design that are invaluable during the scoring process. These instruments are streamlined and user-friendly while also providing an inspiring depth of programming options. That’s a winning combination when you’re creating sounds on the fly and chasing a deadline.”

“DAMAGE is amazing. It manages to push the high standards of the previous creations of the Heavyocity team. DAMAGE has the trademark of the industry, but in a wider and more poignant scope. Great cinematic stuff, energetic, refreshing, and inventive. Thanks!”

“Holy interface Batman! GRAVITY is an unbelievable feat in sampling technology. Not only does it sound awesome..with endless possibilities, but it’s just plain fun. Which is where the best inspiration comes from. Thank you, Heavyocity! GRAVITY kicks a$$!”

“As with all Heavyocity lines, Mosaic Keys is another great addition to my growing toolkit. The ability to isolate various parts of each sample opens up a world of possibilities.”

“Heavyocity’s Vocalise is a perfect addition to any library. Vocalise enhances the composer’s toolkit to provide a myriad of colors and sonic textures. The great sound design and flexibility of the instrument is in true Heavyocity fashion, granting composers innumerable options for musical ideas.”

“ASCEND sounds beautiful, organic, and contemporary because it uses the natural potentials of the piano and seamlessly blends that with intuitive synthesis tools. The result is an elevated expression that sits wonderfully inside a cinematic mix. ASCEND provides a new take on piano that many composers have been waiting to add to their palette – including myself! Thanks Heavyocity.”

“Aeon is yet another fine example of the sonic brilliance we’ve come to expect from the guys at Heavyocity. The instantly usable sounds, mixed with the customizable intuitive controls make these sounds a dream to work with.”

“The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity’s new offering will shatter all of them.”

“For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”

“Rhythmic Textures takes great sounding organic string recordings and pushes them in new directions with creative arranging and processing.
The result is a compelling collection of fascinating string performances, easily accessed and shaped for any project.”

“Heavyocity’s VENTO is a remarkable take on woodwind ensemble performance. The traditional patches provide plenty of power and beauty. In the evolved patches, Heavyocity twists these amazing samples into a variety of compelling organic textures whose woodwind roots contribute to a sound far from ordinary.”

“Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”