“The boys at Heavyocity have come up with another blinder in Damage – top notch sounds and the smart & creative programming tools needed to manipulate them.  Job done!”

“Mutations delivers dry, in-your-face sounds that ooze style and character. It’s also aptly named – the simple but powerful interface allows radical manipulation and sonic mayhem, which is a must for those of us looking to make every sound ‘our own.’ And of course, in the tradition of Evolve, it sounds like a million bucks and sits perfectly in all of my mixes.”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“Every once in a while a sample library comes along that raises the bar. Evolve has done just that, it’s outstanding, and should be on the must-have list for any composer.”

“DM-307 took me by surprise. I wasn’t sure what to expect but after experiencing what this library has to offer it has found a unique home in my studio. I’ve always lamented the shortage of good percussive libraries that sound great and feel great. Between DM-307, Damage, and Aeon, Heavyocity has brought composers’ libraries that elevate our work and inspire creativity.”

“Synthetic Strings is a new and unique outlook on the software synth. As someone who heavily lives in electronic scoring, Synthetic Strings is a great tool for those who may not have the time to experiment with analogue synths. The Loop Designer is also a great way to spark inspiration in a pinch, the possibilities are endless!”

“I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

“Within seconds of installing DAMAGE it became an essential part of my studio. It’s unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit.”

“Natural Forces is truly an impressive sound synthesizer. The design of these sounds are unique and compelling. Natural Forces can provide multiple uses for musical ideas or sound-designing projects. Natural Forces is a wonderful pack to explore.”

“Heavyocity is consistently putting out libraries that have found their way into almost every score I’ve written over the last five years. With the release of GRAVITY, I was literally holding back cues from clients until I could add these sounds to my current projects. Well done, guys!”

“Holy interface Batman! GRAVITY is an unbelievable feat in sampling technology. Not only does it sound awesome..with endless possibilities, but it’s just plain fun. Which is where the best inspiration comes from. Thank you, Heavyocity! GRAVITY kicks a$$!”

“Heavyocity has created another amazing product with DAMAGE.”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“…The EVOLVE plug is amazing.”

“Heavyocity’s FORZO is a delightful library. It puts viscerally compelling brass performance at your fingertips. These inspiring instruments will keep composers moving forward.”

“Synthetic Strings is yet another ‘add-on’ pack to Heavyocity’s NOVO that is loaded with an abundance of material. Many presets harken back to the synths of the 70s & 80s, which can easily find their way into many modern productions. Once again the treat in this Pack is the Designer Patches. How they manipulate these synths in the ‘Designer Patches’ is beyond me, but I can always count on Heavyocity to spark the fires of creativity.”

“Wow, GRAVITY is way beyond everything else I had in my fingers when it comes to dark and sinister sound design, and it’s even beyond that. Actually, it’s the world’s nemesis in a playable instrument and you can control every parameter of doomsday.”

“DAMAGE has become an integral part of my palette and it blends seamlessly regardless of the genre of music I’m working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ’s and filters.”

“With DAMAGE, the Heavyocity guys redefined percussive sampling. Now with AEON they created an entire universe of organic hybrid sounds ready to be mangled at your finger tips. Never has a sample library had this many features and powerful effects. Better hurry, I’m already using it on my next score.”

“Heavyocity’s Vocalise is a perfect addition to any library. Vocalise enhances the composer’s toolkit to provide a myriad of colors and sonic textures. The great sound design and flexibility of the instrument is in true Heavyocity fashion, granting composers innumerable options for musical ideas.”

“Evolve captures the top qualities I look for in a library: cinematic gravitas. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired.”

“A great go-to tool that combines what you need to add a controlled amount of saturation and punch to your percussion, or to unleash total mayhem out of your analog synthesizers.”

“I love the Aeon Melodic library, and it’s so easy to use and program. When I am writing I just want stuff to “work”. “Advanced Performance Options” allow me to explore very contemporary soundscapes which is great in augmenting live musicians and orchestra. I love how easy it is to use. The sounds seem to fit seamlessly into my orchestrations. Great Work!!”

“The guys from Heavyocity keep on impressing me. Without fail, Mutations steps it up a notch. A very hard dirty industrial creepy notch! This is a perfect compliment to the already diverse Evolve. Once again, right out of the box, these sounds lit a massive brush fire of ideas in my head, that kept spreading and expanding. An all around a must have!”

“I knew in about two minutes that Aeon would be welcomed with open arms into my studio. “This thing is awesome!” was the initial reaction. The sounds are really well done, very creative and very useful. And I love the super clean interface. You can easily tweak the sounds and mold them into what you need, without getting lost in a sea of pages and menus. It’s all very accessible and integrates right into the workflow. Thank you team Heavyocity.”

“With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

“This library is a beast! It opens up a whole new playground for keeping the “sound of the sound” alive and responsive—and, above all, inspiring. Like its predecessors, it makes me want to hang out in my studio for days on end and just explore. The Trigger FX function adds a whole new dimension, making it seriously addictive to explore even deeper, effectively banishing the “been there, heard that” personality of so many other libraries. With Mutations 2 Heavyocity have ‘upped the game’… again.”

“I’ve always liked Heavyocity’s approach to instrument design, focusing on the actual needs of composers/producers. FORZO builds on this tradition, with a new level of sound quality and vastly increased production adaptability. Hits the spot for me!”

“With the release of Aeon, Heavyocity maintain there status as a leader in the sonic domain. They are master programmers that know how to provide inspiration in every thing they touch. I’m personally blown away by the depth of what this collection offers to my musical world.”

“I have tools that are subtle and tools that slam. PUNISH is a great way for me to slam fast when I need to. Easy to dial in and make a sound more exciting.”

“I love it! The bass frequencies sound amazing and the highs have the perfect brightness. Ground-breaking!”

“Being a guitar player myself, I tend to shy away from any kind of virtual guitar instruments. But Heavyocity has taken guitars to a whole new level with Scoring Guitars 2. I love the clean tone of the instrument and having so many choices to distort, mangle and overall punish the original sound. The forward and reverse options are also inspiring and huge timesavers.”

“Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

“GRAVITY is a cutting-edge, unique design tool that uses intensely well-recorded live orchestral and analog sources to create modern ambiences, pulses, risers and more. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend.”

“AEON offers a tremendous new palette of sounds and inspiration for modern scoring.”

“Just when Evolve had become one of my ‘go to’ musical sound design instruments, Heavyocity piles on the awesomeness with Mutations 2. I love the new designy pads, great new hits, the new interface and the real time trigger FX. 2 thumbs way up and a big grin on my face. Very useful stuff!”

“AEON is a welcome addition to my studio’s sound library. There’s a really nice organic essence to the sounds, plus the tweakability of the interface gives even more scope to do something different.”

“I’ve spent hours going through the whole library and every single sound is fat and clean, just the way I like them. [DM-307] gives you the option to make them the way you like, tweaking here and there. The whole thing is ACE! I’ve been using Heavyocity’s products since day one and have always been extremely satisfied.”

“Another tasteful advance in electronic music making weaponry from the vibrant and virile imagination of Heavyocity.”

“Finally someone has made high string effects with bends! NOVO is incredible! The panning and tuning are spot on. It’s so deep and useful, both for traditional and synth strings, that it has won an immediate place in my template.”

“We are already using DM-307 on every new cue we’re scoring on ‘Almost Human’! We know we’re just scratching the surface on what seems to be an infinitely limitless production tool! The sounds and flexibility are amazing!”

“I love how Heavyocity pushes the boundaries of timbre and rhythm with the DM-307. Not surprisingly, it’s just another great product from this consistently, high quality, innovative and most importantly MUSICAL company. Thank you Heavyocity for the good work.”

“I absolutely love the sound of FORZO. The Traditional brass patches are the most powerful and crisp brass samples I have heard, and the versatility of the Evolved patches opens up a whole world of organic swells, flourishes, and sound effects to add to my cues. This will definitely become one of my ‘go-to’ new libraries.”

“Between Damage, DM-307 and Evolve, I thought I had every massive percussion library I’d ever need. I was wrong. Master Sessions: Ensemble Drums brings the extra low end punch that blends perfectly with your other libraries. These are samples that you didn’t know you needed, but that now you can’t live without.”

“Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

“After using Aeon Melodic and Rhythmic for just one week I am really taken away by its proficiency and the time and effort the team behind it took to deliver such a solid package. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument.”

“Still in shock. Endless possibilities. Breathtaking sounds. Quite literally three instruments in one! Having control over both the natural, modern string instruments and their processed, mangled counterparts is a stroke of genius.”

“Heavyocity have done it once again. On loading the first few patches of GRAVITY, I knew that this library was truly unique in it’s sound. The impacts are earth shattering, the pads are both beautifully haunting and utterly twisted at the same time, and the risers are simply massive. This is a wonderful addition to the other Heavyocity libraries, and GRAVITY fits into my sonic palette like a glove and is already firmly in my template.”

“I really love the multi-sampled organic patches – truly original sounds that inspire new ideas with a few notes. Seriously, though…you guys are making it WAY TOO EASY to sound like a synth programming maestro. Aeon is so tweakable and easy to make your own. And man, what a sound! I’ve never heard synths that sit so well in my mixes without touching a thing – full and fat without taking up too much space. I hate that it’s getting released to the public…can’t we keep this one between us?”

“AEON does to melody and harmony what Evolve and DAMAGE did to percussion, loops and fx. It provides a great repertoire of sounds and sequences for scoring, using a clear and clever interface and the right tools to bring life to your track. The quality is outstanding, the choices are always edgy and perfectly contemporary. I hope it will be followed by more products like this one. The more you will use it the more you will love it…”

“PUNISH is brilliant. Accurate and precise, it can add simple punch to your track or mixes or completely destroy them! It already did wonders on my Analog synth tracks for the Deus Ex Mankind Divided soundtrack!”

“AEON is a welcome addition to my toolkit. It’s sound quality and ease of use is refreshing. Like DAMAGE before it, AEON presents a vast array sonic possibilities for the hybrid music composer.”

“Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

“I’m loving the DM-307, it’s got that signature Heavyocity attitude, rock solid timing and an incredible variety of ultra-tweakable sounds. The GUI is among the best I’ve ever used in a Kontakt instrument. It’s is an amazing drum tool that has instantly jumped to the top of my go-to list.”

“Heavyocity’s first foray into the plug-in realm with PUNISH does not disappoint. Having this signature feature of their instruments now available as a stand alone FX plugin to use and apply on anything I want, has me smiling from ear to ear.”

“Ethnic Drum Ensembles is one of those fantastic libraries where you load up a patch and you have something awesome at your fingertips immediately. But then you can get into the deep layers of effects and processing and really make every patch your own. Likewise the loops have that Heavyocity cool thing going on, but there is plenty of room for manipulation. Another incredibly useful tool from the Heavyocity boys.”

“Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”

“The Hits material alone is worth the price! I’ve used Gravity for sound design applications as well as dynamic musical impacts (“Hits”). Gravity fits in great with both hybrid and orchestral sessions. I highly recommend it.”

“Once again, the team at Heavyocity deliver a stellar product in FORZO: Modern Brass. As a composer and trombonist, I am very particular when it comes to brass libraries. FORZO delivers in all areas, with superbly performed and recorded traditional brass sections, plus hundreds of clusters, effects and swells. Then there are some amazing patches that have the modern Heavyocity twist, with mangled loops and sequences which will fit right at home into any modern production. You have never heard brass like this.”

“Well, I’ve found my new go-to brass library. Hands down the smoothest and most dynamic brass I’ve had the pleasure of playing. Add in the extended techniques and sound design patches, and it’s three libraries in one. Another stellar release!”