“Instantly hooked on the DM-307. Its fluidity to write drums is amazing and the structure is well-planned out. Full support on this and to The Heavyocity team.”

“I like having a huge pallet of sounds to draw from, and DAMAGE has extended mine further. It’s not just a preset factory though, there’s so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too.”

“From ethereal, otherworldly vocals to organic, weighty pads, Mosaic Voices is chalked full of accessible, emotional sounds. Mosaic Voices has all the tools for creating tasteful and adaptable layers that convincingly meld the synthetic with the organic.”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”

“The beauty of Evolve is the deadly combination of first-rate, out-of-the-box sounds with the all too easy ability to tweak everything to make it your own. It’s the best of both worlds! Evolve is at the top of my ‘go-to’ list for inspirational and evocative sounds. It’s easily one of the best sounding virtual instruments I’ve had the pleasure of playing.”

“As a big fan of the first release and with high expectations, I was still shocked by how great Damage 2 came out! It’s almost ridiculous how well designed and perfect sounding this is.
For the working composer who needs to get shit done, this is hands down the best percussion library out there. The synergy between time-synched and individual elements is groundbreaking!”

“I’ve used the original Damage library on pretty much everything. On video game work like Deus Ex but also my own record, Doomsday. With Damage 2, the Heavyocity guys have set a new standard in percussion libraries. The punch, the clarity and the new mix options are mind-blowing. Of course, since I like my sounds crunchy, you can shape the drums at your hearts desire with a ton of new options. In short: Damage 2 is a must-own for any cinematic composer.”

“VENTO: Modern Woodwinds is another stellar quality release from the team at Heavyocity. This library completely delivers a wonderful and deep array of woodwind textures; From the more organic Traditional patches, to many more incredibly sound-designed Evolved patches, which composers always enjoy from Heavyocity. There is such a huge variety of sounds in this library, from the more traditional woodwind textures, to Ambient pads, aletoric FX and Textures, all the way through to Rhythmic elements and Loops. You have definitely not heard woodwinds like this before! Superb! If you are working in modern scoring you should buy this. Adding it to my template immediately is a no brainer.”

“Mosaic Voices brilliantly combines hybrid, expansive vocal textures with subtle, organic voice elements. Driven by the powerful Mosaic Engine, its creative capacity knows no limits. I find it to be a refreshingly versatile tool for crafting cinematic music.”

“ASCEND: Modern Grand encapsulates the timeless nature and true power of a deeply sampled Steinway Piano. The library provides me with an inspirational toolkit of thousands of unique sounds. I find the ability to combine gorgeous piano textures with extended techniques very effective. Whether it is bowed, brushed, twined, and harmonic techniques, these combinations provide wonderful new colors and tones for sonic inspiration. The interface is user friendly. The spatial and timbral effects presets are dynamic and exciting. The arpeggiator, echo, modulations, and multiple filter options allow me to transform the default settings into my own patches with ease. Thank you Heavyocity!”

“What can I say? Heavyocity continues to blow me away with their amazing and infinitely adaptable sounds. These drums are so modern and punchy, oozing with analog mojo that so many sample libraries seem to be missing. And the interface! So a treat to use – classy looks with ultra intuitive controls. Heavyocity makes it so easy to tweak the sounds and make them your own. Hands down the best looking, and sounding, virtual instruments available.”

“Synthetic Strings is a new and unique outlook on the software synth. As someone who heavily lives in electronic scoring, Synthetic Strings is a great tool for those who may not have the time to experiment with analogue synths. The Loop Designer is also a great way to spark inspiration in a pinch, the possibilities are endless!”

“DM-307 has a great deeply customizable interface to create the rhythm, energy and motion I need for my scores. I look forward to digging in to yet another sonic feat from Heavyocity.”

“Mosaic Keys is an arsenal of warm keyboard tones, carefully constructed with just the right amount of color, complemented by an analogous swath of gritty, attitude-laden patches. There’s inspiration to be found in every sound, easily tailored with Mosaic’s powerful sound-shaping tools.”

“AEON is a welcome addition to my toolkit. It’s sound quality and ease of use is refreshing. Like DAMAGE before it, AEON presents a vast array sonic possibilities for the hybrid music composer.”

“Applying Heavyocity’s PUNISH to my tracks and mixes feels like somebody put a huge drum stool thumper under my seat!”

“Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

“Damage 2 is unique and contains an explosion of sounds that are ready to play in stereo and surround. As soon as I opened the library, I was able to incorporate it into my template. It’s big, boomy, and bright. The percussion sounds are unique, full of colorful textures. articulations and mallet options. Ensemble Designer is wonderful for building your own personal sound. The Kit Designer is easy to use and provides endless options for kits. Being able to create my own hybrid kit was quick and easy. Damage 2 is my new go to ensemble percussion library for big, bold and detailed drums. Thanks team Heavyocity!”

“Heavyocity has done it again with Evolve Mutations. This is another no brainer library to own. The sounds are so relevant and useable right out of the box for many types of scoring projects that I work on. They have fast become one of my favorite sample developers.”

“In a way, FORZO is the brass library I have been waiting for. For how I write, it’s an instant addition to my palette”

“Heavyocity’s VENTO is a remarkable take on woodwind ensemble performance. The traditional patches provide plenty of power and beauty. In the evolved patches, Heavyocity twists these amazing samples into a variety of compelling organic textures whose woodwind roots contribute to a sound far from ordinary.”

“Scoring Guitars 2 builds on the strengths of the first Scoring Guitars with more of the great sounding ambiences and pulses. The rhythmic pedals are a great addition that can add attitude to any track. Overall, this is a wonderful instrument on its own that really shines in combination with other Heavyocity instruments.”

“Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

“AEON offers a tremendous new palette of sounds and inspiration for modern scoring.”

“The diversity of sound within GRAVITY is astonishing. Each sound inspires new ideas and creative techniques that enhance my writing process. The elements in GRAVITY not only sound great but are very musical and functional. Music/Sound design is pushed to new limits with GRAVITY. Any musician will benefit with GRAVITY in their toolbox.”

“Ethnic Drum Ensembles is one of those fantastic libraries where you load up a patch and you have something awesome at your fingertips immediately. But then you can get into the deep layers of effects and processing and really make every patch your own. Likewise the loops have that Heavyocity cool thing going on, but there is plenty of room for manipulation. Another incredibly useful tool from the Heavyocity boys.”

“EVOLVE MUTATIONS 2 delivers a new kick-ass set of inspiring, great sounding, very playable loops and instrument patches. Letting you play, process and “evolve” the sounds in real time using just your keyboard and key commands, EVOLVE MUTATIONS 2 delivers like nothing else. I’m hooked!”

“There are so many interesting sounds in the DM-307 that I plan to use. I found there to be a lot of really nice dark percussion and cool hi hats. Very dark-techy….and also a little bit electro!”

“PUNISH is a great combo of glue, punch, and character. You can really dial in the desired intensity, it’s incredibly well-conceived and the PUNISH Knob is genius.”

“Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

“Heavyocity have done it once again. On loading the first few patches of GRAVITY, I knew that this library was truly unique in it’s sound. The impacts are earth shattering, the pads are both beautifully haunting and utterly twisted at the same time, and the risers are simply massive. This is a wonderful addition to the other Heavyocity libraries, and GRAVITY fits into my sonic palette like a glove and is already firmly in my template.”

“Rhythmic Textures is not a replacement for your string library, instead it is one of those rare sample libraries that inspire ideas from the composer immediately upon playing them. The samples are rich and organic and very realistic sounding. When you play them you are immediately enticed to compose using these moody evocative smaller string ensembles, rich in mood and attitude and ideal for the composer who scores to picture. Best of all, they suggest ideas without dictating them. Highly recommended.”

“The DM-307 is really intuitive and easy to work with it. You can expect really nice sounds for your productions, for sure.”

“Heavyocity is consistently putting out libraries that have found their way into almost every score I’ve written over the last five years. With the release of GRAVITY, I was literally holding back cues from clients until I could add these sounds to my current projects. Well done, guys!”

“DAMAGE is amazing. It manages to push the high standards of the previous creations of the Heavyocity team. DAMAGE has the trademark of the industry, but in a wider and more poignant scope. Great cinematic stuff, energetic, refreshing, and inventive. Thanks!”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“Damage 2 is a deep library and is an instant ‘go to’ for me as a composer. The ability to work with loops, single hits and ensembles, as well as being able to drop source samples in, makes this an indispensable tool. I am blown away by the sheer range of instruments available, both organic and processed, and the amount of velocity layers make this the most naturally playable percussion library available. Also, the sound quality of Damage 2 is sublime. From the instruments selected to the natural room sound and the highest quality signal path, this library sounds absolutely incredible.”

“Between Damage, DM-307 and Evolve, I thought I had every massive percussion library I’d ever need. I was wrong. Master Sessions: Ensemble Drums brings the extra low end punch that blends perfectly with your other libraries. These are samples that you didn’t know you needed, but that now you can’t live without.”

“We were hoping that no one would find out about the new DAMAGE pack… but the secret’s out. Pure sickness from the best in the biz.”

“I had the chance to try NOVO and I was amazed by the versatility and the intuitiveness of the instrument. Here we have a very powerful tool, using classic or unusual string sounds, plus a very large library of ’designed strings’ and, perhaps even more importantly, a very strong ‘Loop Designer’ machine, ready for immediate use, or with some sophisticated programming, more custom results. NOVO fills a gap that we composers were feeling when creating music with a rhythmic contemporary approach and, at the same time, an orchestral or post-orchestral sound. This may be the beginning of a new concept of great virtual instruments! Thanks Heavyocity!”

“Ahhh yes, those ambitious and creative people at Heavyocity have outdone themselves once again. Certainly the raw sounds that this thing serves up have an arresting depth and clarity that is hard to ignore, but it is the flexible way that one can manipulate said sounds that appeals to me the most. About as user friendly as one could possibly hope for.
Nice one, you Damage(d) people. Top stuff indeed!”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“Master Sessions: Ensemble Drums is yet another killer sounding, sleek and deceivingly deep product from Heavyocity. The kits sit nicely in your mixes, and with the ability to Punish and Twist all the stem breakdowns of the loops, it’s easy to make them your own.”

“Heavyocity’s FORZO is a delightful library. It puts viscerally compelling brass performance at your fingertips. These inspiring instruments will keep composers moving forward.”

“With DAMAGE, the Heavyocity guys redefined percussive sampling. Now with AEON they created an entire universe of organic hybrid sounds ready to be mangled at your finger tips. Never has a sample library had this many features and powerful effects. Better hurry, I’m already using it on my next score.”

“Heavyocity’s new VENTO: Modern Woodwinds library is an amazing and inspirational tool for film scoring! The organic feel to these beautiful orchestral and hybrid Woodwind textures are unparalleled. The recording quality of the samples is impeccable. This library goes many levels deeper than the typical classical woodwind library. The woodwind designer is a great engine which gives me the ability to manipulate an endless number of settings, articulations, loops, and FX. With the vast number of parameters to manipulate, it’s easy to create a fresh set of sounds for every session. VENTO has become an essential part of my toolkit. Along with NOVO and FORZO, it’s a trilogy of soundscapes right at my fingertips. Thank you Heavyocity!!”

“ASCEND sounds beautiful, organic, and contemporary because it uses the natural potentials of the piano and seamlessly blends that with intuitive synthesis tools. The result is an elevated expression that sits wonderfully inside a cinematic mix. ASCEND provides a new take on piano that many composers have been waiting to add to their palette – including myself! Thanks Heavyocity.”

“The other day I wandered into the studio and noticed an unfamiliar and spooky looking interface glowing at me from the computer. Turns out its the new Heavyocity GRAVITY, which my assistant had set up. I sat down, pressed a key, and started laughing out loud. GRAVITY is stunning. You guys have done it again.”

“Another tasteful advance in electronic music making weaponry from the vibrant and virile imagination of Heavyocity.”

“Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”

“I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

“DAMAGE does just that. It gives you wonderfully sampled and programmed percussion and lets you do some serious damage with it. Heavyocity has not only produced a superb library, but they have given the composer the creative freedom to make it their own. Nice work guys!”

“GRAVITY is a cutting-edge, unique design tool that uses intensely well-recorded live orchestral and analog sources to create modern ambiences, pulses, risers and more. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend.”

“Vocalise 2 balances a great selection of playable vocals with some more creative treatments that work exceptionally well as layers in a composition. Each patch feels alive and is brimming with energy. The additional array of excellent vocal performances captured and organized as phrases makes this a complete and versatile instrument by Heavyocity.”

“I’m loving the DM-307, it’s got that signature Heavyocity attitude, rock solid timing and an incredible variety of ultra-tweakable sounds. The GUI is among the best I’ve ever used in a Kontakt instrument. It’s is an amazing drum tool that has instantly jumped to the top of my go-to list.”

“After using Aeon Melodic and Rhythmic for just one week I am really taken away by its proficiency and the time and effort the team behind it took to deliver such a solid package. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument.”

“I am not a ‘sample library’ kind of guy, but this thing blew my f-ing mind.”

“Fresh sounding and malleable, ASCEND: Modern Grand is perfect for creating evocative organic piano textures. ASCEND is packed with wildly creative articulations that come together seamlessly with Heavyocity’s powerful new engine, creating utility far beyond that of the superb piano this instrument is built atop.”

“Aeon is yet another fine example of the sonic brilliance we’ve come to expect from the guys at Heavyocity. The instantly usable sounds, mixed with the customizable intuitive controls make these sounds a dream to work with.”

“Wow, GRAVITY is way beyond everything else I had in my fingers when it comes to dark and sinister sound design, and it’s even beyond that. Actually, it’s the world’s nemesis in a playable instrument and you can control every parameter of doomsday.”