“I have tools that are subtle and tools that slam. PUNISH is a great way for me to slam fast when I need to. Easy to dial in and make a sound more exciting.”

“Rhythmic Textures definitely has Heavyocity & Jason Graves’ signature all over it, in the best way. The basic bones of it, the actual samples recorded, are ripe with compelling motion, but then the ability to utterly mangle them from there forward is truly powerful. It was a joy to experiment and instantly profoundly useful.”

“Heavyocity has created another amazing product with DAMAGE.”

“Heavyocity is without a doubt far beyond their peers and at the forefront of using Kontakt & it’s scripting abilities to the fullest. This time, with Aeon they not only created new content, but new original tools to manipulate the synths & rhythms, giving the artist even more creative control than ever before. Using their custom intuitive interface, coupled with it’s outstanding content puts Aeon over the top. There is no other library like it.”

“PUNISH is brilliant. Accurate and precise, it can add simple punch to your track or mixes or completely destroy them! It already did wonders on my Analog synth tracks for the Deus Ex Mankind Divided soundtrack!”

“GRAVITY is a cutting-edge, unique design tool that uses intensely well-recorded live orchestral and analog sources to create modern ambiences, pulses, risers and more. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend.”

“Rhythmic Textures is not a replacement for your string library, instead it is one of those rare sample libraries that inspire ideas from the composer immediately upon playing them. The samples are rich and organic and very realistic sounding. When you play them you are immediately enticed to compose using these moody evocative smaller string ensembles, rich in mood and attitude and ideal for the composer who scores to picture. Best of all, they suggest ideas without dictating them. Highly recommended.”

“Mutations delivers dry, in-your-face sounds that ooze style and character. It’s also aptly named – the simple but powerful interface allows radical manipulation and sonic mayhem, which is a must for those of us looking to make every sound ‘our own.’ And of course, in the tradition of Evolve, it sounds like a million bucks and sits perfectly in all of my mixes.”

“The other day I wandered into the studio and noticed an unfamiliar and spooky looking interface glowing at me from the computer. Turns out its the new Heavyocity GRAVITY, which my assistant had set up. I sat down, pressed a key, and started laughing out loud. GRAVITY is stunning. You guys have done it again.”

“Wow, what an amazing instrument! AEON takes working with samples, FX and modulation to another level. It has super flexible controls and allows the quick creation of patterns with amazing sounds. Will probably become one of the best tools in my DAW for the next few of years. I am excited to work more with it.”

“Evolve is a tremendous musical platform. Since I got it, I have used it on every musical project that has come my way. I look forward to getting in the studio when I can bring in that plug-in and just ride the inspiration.”

“Natural Forces is truly an impressive sound synthesizer. The design of these sounds are unique and compelling. Natural Forces can provide multiple uses for musical ideas or sound-designing projects. Natural Forces is a wonderful pack to explore.”

“After using Aeon Melodic and Rhythmic for just one week I am really taken away by its proficiency and the time and effort the team behind it took to deliver such a solid package. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument.”

“If I were a director, I could not resist shooting a scene on every single one of the ‘Ambient-Elements’ patches! I especially love the more minimal elegance on some of the synth-presets. Leading-edge stuff!!”

“Sometimes my sounds are bad and need to be punished. Now I just run them through PUNISH and they become even more bad ass!”

“PUNISH is a mix-ready bag of tricks, put together in a way I haven’t seen or heard before. I was quickly adding some serious attitude to my mix!”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“Ethnic Drum Ensembles is the library I was always longing for when I wanted “that” huge ethnic sound! As soon as I heard this newest release by the Heavyocity guys I knew they nailed it again as they did with all their previously released products!”

“Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

“NOVO is an instant classic. I swear we will be hearing it everywhere in the coming months, and that’s because it’s so darn good and inspiring. As soon as you press a note you get a vibe going, but then you can delve in, assign parameters to faders, and really start sculpting these patches to the way you like them. A premium library from the Heavyocity guys”

“The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity’s new offering will shatter all of them.”

“Wow, GRAVITY is way beyond everything else I had in my fingers when it comes to dark and sinister sound design, and it’s even beyond that. Actually, it’s the world’s nemesis in a playable instrument and you can control every parameter of doomsday.”

“Being a guitar player myself, I tend to shy away from any kind of virtual guitar instruments. But Heavyocity has taken guitars to a whole new level with Scoring Guitars 2. I love the clean tone of the instrument and having so many choices to distort, mangle and overall punish the original sound. The forward and reverse options are also inspiring and huge timesavers.”

“PUNISH is a great combo of glue, punch, and character. You can really dial in the desired intensity, it’s incredibly well-conceived and the PUNISH Knob is genius.”

“GRAVITY lives up to its name for me. Deep, Cinematic, and extremely playable. It brings such instant satisfaction, but with extensive tweak ability as well. It just sounds Alive to me. An instant addition to my next movie score”

“The Hits material alone is worth the price! I’ve used Gravity for sound design applications as well as dynamic musical impacts (“Hits”). Gravity fits in great with both hybrid and orchestral sessions. I highly recommend it.”

“I really love the multi-sampled organic patches – truly original sounds that inspire new ideas with a few notes. Seriously, though…you guys are making it WAY TOO EASY to sound like a synth programming maestro. Aeon is so tweakable and easy to make your own. And man, what a sound! I’ve never heard synths that sit so well in my mixes without touching a thing – full and fat without taking up too much space. I hate that it’s getting released to the public…can’t we keep this one between us?”

“The sound of the DM-307 is awesome! You don´t need to add tons of plugins to get it to sound good. The sounds are ready to use in your productions.”

“I like having a huge pallet of sounds to draw from, and DAMAGE has extended mine further. It’s not just a preset factory though, there’s so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too.”

“DM-307 is yet another home run for the boys at Heavyocity. It offers the
user the chance to create unique and fresh drum loops & sounds with
maximum flexibility and is a joy to use. It’s a keeper without doubt!”

“Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

“When we loaded up DAMAGE, the sound quality of the samples took our breath away. It sounds absolutely awesome – huge!

“FORZO: Modern Brass is the new overlord of all brass libraries. It’s extremely playable and the interface is slick and effortless with plenty of control. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. The additional “mangling” options are my favorite and never fail to spark inspiration.”

“Heavyocity have done it once again. On loading the first few patches of GRAVITY, I knew that this library was truly unique in it’s sound. The impacts are earth shattering, the pads are both beautifully haunting and utterly twisted at the same time, and the risers are simply massive. This is a wonderful addition to the other Heavyocity libraries, and GRAVITY fits into my sonic palette like a glove and is already firmly in my template.”

“Synthetic Strings is another colorfully powerful package from our friends at Heavyocity. The size and depth of what can be done with this library is endless from huge fat evolving synths to cutting raw synths, strings and filters. The ability to craft rhythmic patterns from raw and processed synths and strings leaves us inspired with each cue we write. Thanks Heavyocity!!”

“AEON does to melody and harmony what Evolve and DAMAGE did to percussion, loops and fx. It provides a great repertoire of sounds and sequences for scoring, using a clear and clever interface and the right tools to bring life to your track. The quality is outstanding, the choices are always edgy and perfectly contemporary. I hope it will be followed by more products like this one. The more you will use it the more you will love it…”

“Mutations 2 takes Heavyocity’s sound into an even more customizable, destructive realm. The programming and ‘Trigger FX’ switching in this new set of sounds eliminates huge amounts of time I normally spend personalizing sounds. Out of the box, Mutations 2 once again fits nicely with the style I write. Adding in the ‘on the fly’ effects key-switching makes this this collection a MUST BUY.”

“Very cool presets and sounds. It’s great for creating loops from another approach. I seriously dig the drum and hi-hat banks. Good stuff!!”

“Heavyocity is consistently putting out libraries that have found their way into almost every score I’ve written over the last five years. With the release of GRAVITY, I was literally holding back cues from clients until I could add these sounds to my current projects. Well done, guys!”

“I’m loving the DM-307, it’s got that signature Heavyocity attitude, rock solid timing and an incredible variety of ultra-tweakable sounds. The GUI is among the best I’ve ever used in a Kontakt instrument. It’s is an amazing drum tool that has instantly jumped to the top of my go-to list.”

“Another tasteful advance in electronic music making weaponry from the vibrant and virile imagination of Heavyocity.”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“To my ears, GRAVITY is complete perfection. There is a staggering variety of colors in GRAVITY but there is also an overall unifying design to it. The ambient sonorities are lush, evocative and hypnotic. The Risers and Stings are spectacular and the Hits are huge and completely awe-inspiring. I think GRAVITY is the greatest sample library ever produced.”

“I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

“Synthetic Strings is a new and unique outlook on the software synth. As someone who heavily lives in electronic scoring, Synthetic Strings is a great tool for those who may not have the time to experiment with analogue synths. The Loop Designer is also a great way to spark inspiration in a pinch, the possibilities are endless!”

“DM-307 continues to innovate the Heavyocity sound through immersive sound design and musical programming. DM-307 offers me a versatile sound palette that expands the possibilities of musical expression and creation.”

“Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

“Partnering with Heavyocity to produce Rhythmic Textures made me feel like a kid in a musical candy store. I normally shy away from loop-based orchestral samples but I believe composers will find these instruments both inspirational and extremely versatile. I’m quite proud to be part of such a unique product.”

“DAMAGE has become an integral part of my palette and it blends seamlessly regardless of the genre of music I’m working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ’s and filters.”

“GRAVITY is the perfect tool for any composer scoring to picture. The sounds are inspiring and categorized in a really smart way. The interface is deep but also quick and intuitive. GRAVITY has already become one of my go to scoring tools. Thanks for nailing it again, Heavyocity.”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”

“Evolve captures the top qualities I look for in a library: cinematic gravitas. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired.”

“I knew in about two minutes that Aeon would be welcomed with open arms into my studio. “This thing is awesome!” was the initial reaction. The sounds are really well done, very creative and very useful. And I love the super clean interface. You can easily tweak the sounds and mold them into what you need, without getting lost in a sea of pages and menus. It’s all very accessible and integrates right into the workflow. Thank you team Heavyocity.”

“Instantly hooked on the DM-307. Its fluidity to write drums is amazing and the structure is well-planned out. Full support on this and to The Heavyocity team.”

“DAMAGE is everything a composer wishes for in a virtual instrument – outstanding sounds combined with instant gratification. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart’s content is invaluable! DAMAGE just became my go-to source for cutting edge rhythmic sounds.”

“It feels like you took my six outboard compressors and created a plugin especially for me. I’ve become very picky about my software dynamics over the years and PUNISH is above and beyond anything I’ve encountered – a fantastic combo of vintage vibe with all-in happy sauce for that pro gloss.”

“The boys at Heavyocity have come up with another blinder in Damage – top notch sounds and the smart & creative programming tools needed to manipulate them.  Job done!”

“With my daily composing work I need to produce a lot of music and very fast,
but also music that sounds fully produced and in high quality. This is exactly what Evolve Mutations 2 gives me, and then some! The quality of the samples is superb, and the loops are flawless. On top of that this library is very easy to operate, so it just makes my life easier. I HIGHLY RECOMMEND.”

“I absolutely love the sound of FORZO. The Traditional brass patches are the most powerful and crisp brass samples I have heard, and the versatility of the Evolved patches opens up a whole world of organic swells, flourishes, and sound effects to add to my cues. This will definitely become one of my ‘go-to’ new libraries.”

“Holy interface Batman! GRAVITY is an unbelievable feat in sampling technology. Not only does it sound awesome..with endless possibilities, but it’s just plain fun. Which is where the best inspiration comes from. Thank you, Heavyocity! GRAVITY kicks a$$!”