“Well, I’ve found my new go-to brass library. Hands down the smoothest and most dynamic brass I’ve had the pleasure of playing. Add in the extended techniques and sound design patches, and it’s three libraries in one. Another stellar release!”

“Heavyocity has released yet another indispensable addition to the Gravity line. From the slick pulses and phrases to the evocative beds and drones, there’s some really fresh and inspirational sounds begging to be added to your palette.”

“Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

“When it comes to unique tones, colors, and rhythmic sounds the Heavyocity line of plugins can be an amazing library of textures to choose from. Not only do they sounds great from the start, but they’re also easy to program and tweak to create your own identity. I’ve used them many times and most recently on my score to Perry Mason to great affect. The Master Session Library really help me to create what we called on the show “Perry’s World”. Great plugins at an amazing price.”

“With VENTO I finally have a family of woodwinds that fit the dark and scary moods in my scores. There’s a lot to love in VENTO; besides the beautifully done section recordings of “ordinary” articulations, there’s a ton of haunting, delicate, and terrifying textures and effects. Going deeper into the processed and rhythmic samples served up in the excellent NOVO engine, VENTO provides a thoroughly modern take on traditional woodwinds, and is at the top of my list… and template. I Love it!”

“FORZO: Modern Brass is the new overlord of all brass libraries. It’s extremely playable and the interface is slick and effortless with plenty of control. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. The additional “mangling” options are my favorite and never fail to spark inspiration.”

“Clearly a huge amount of creative energy and musical ability has gone into making Evolve the unique and useful instrument that it is. I continue to be impressed.”

“I am not a ‘sample library’ kind of guy, but this thing blew my f-ing mind.”

“How would I describe Mosaic Tape? I’d say it falls into the “Omg-where-did-you-get-that-sound” category. So darn unique and immediately inspiring. Heavyocity…you rock, thank you.”

“DAMAGE has become an integral part of my palette and it blends seamlessly regardless of the genre of music I’m working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ’s and filters.”

“After using Aeon Melodic and Rhythmic for just one week I am really taken away by its proficiency and the time and effort the team behind it took to deliver such a solid package. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument.”

“Wow, where do I even start!? Where did you guys come from? This Evolve library is everything I’ve wanted in a sample library for years. The dynamic range across all 6 gigs of content is astounding, from the heaviest of hits and beats, to the lightest quirkiness of a mouth pop. The quality and production of Evolve from top to bottom is by far the biggest bang for your buck on the market today.”

“Just when Evolve had become one of my ‘go to’ musical sound design instruments, Heavyocity piles on the awesomeness with Mutations 2. I love the new designy pads, great new hits, the new interface and the real time trigger FX. 2 thumbs way up and a big grin on my face. Very useful stuff!”

“I love the Aeon Melodic library, and it’s so easy to use and program. When I am writing I just want stuff to “work”. “Advanced Performance Options” allow me to explore very contemporary soundscapes which is great in augmenting live musicians and orchestra. I love how easy it is to use. The sounds seem to fit seamlessly into my orchestrations. Great Work!!”

“When it comes to unique tones, colors, and rhythmic sounds the Heavyocity line of plugins can be an amazing library of textures to choose from. Not only do they sounds great from the start, but they’re also easy to program and tweak to create your own identity. I’ve used them many times and most recently on my score to Perry Mason to great affect. The Master Session Library really help me to create what we called on the show “Perry’s World”. Great plugins at an amazing price.”

“The Hits material alone is worth the price! I’ve used Gravity for sound design applications as well as dynamic musical impacts (“Hits”). Gravity fits in great with both hybrid and orchestral sessions. I highly recommend it.”

“Finally a woodwind instrument deserving of the Heavyocity moniker. The core sounds of Vento are incredible and cover all the bases for me – huge, fat lows and smooth, detailed highs. But it’s the special designed patches that really allow these amazing new wind sounds to come into their own. Every preset I pull up is begging to have a new cue written.”

“ASCEND starts with a great collection of prepared piano samples but that’s only the beginning. It goes deep into uncharted territory with the automatable Three Point Mixer, a great pitch-shifting and pitch-quantizing delay, and a really amazing set of convolution impulses. From dark emotional pianos to hypnotic patterns and all the way to subtle atmospheres and evil dronescapes, ASCEND will go there. Highly recommended!”

Don’t just take his word for it, try Heavyocity’s ASCEND Grand Piano Virtual Instrument yourself!

“Natural Forces is truly an impressive sound synthesizer. The design of these sounds are unique and compelling. Natural Forces can provide multiple uses for musical ideas or sound-designing projects. Natural Forces is a wonderful pack to explore.”

“Ethnic Drum Ensembles is one of those fantastic libraries where you load up a patch and you have something awesome at your fingertips immediately. But then you can get into the deep layers of effects and processing and really make every patch your own. Likewise the loops have that Heavyocity cool thing going on, but there is plenty of room for manipulation. Another incredibly useful tool from the Heavyocity boys.”

“I love how Heavyocity pushes the boundaries of timbre and rhythm with the DM-307. Not surprisingly, it’s just another great product from this consistently, high quality, innovative and most importantly MUSICAL company. Thank you Heavyocity for the good work.”

“As a big fan of the first release and with high expectations, I was still shocked by how great Damage 2 came out! It’s almost ridiculous how well designed and perfect sounding this is.
For the working composer who needs to get shit done, this is hands down the best percussion library out there. The synergy between time-synched and individual elements is groundbreaking!”

“A very fast and very tweakable one-stop black box to make your tracks bump, grind, pop, scream, or shout”

“VENTO: Modern Woodwinds is another stellar quality release from the team at Heavyocity. This library completely delivers a wonderful and deep array of woodwind textures; From the more organic Traditional patches, to many more incredibly sound-designed Evolved patches, which composers always enjoy from Heavyocity. There is such a huge variety of sounds in this library, from the more traditional woodwind textures, to Ambient pads, aletoric FX and Textures, all the way through to Rhythmic elements and Loops. You have definitely not heard woodwinds like this before! Superb! If you are working in modern scoring you should buy this. Adding it to my template immediately is a no brainer.”

“DAMAGE does just that. It gives you wonderfully sampled and programmed percussion and lets you do some serious damage with it. Heavyocity has not only produced a superb library, but they have given the composer the creative freedom to make it their own. Nice work guys!”

“Once again, the team at Heavyocity deliver a stellar product in FORZO: Modern Brass. As a composer and trombonist, I am very particular when it comes to brass libraries. FORZO delivers in all areas, with superbly performed and recorded traditional brass sections, plus hundreds of clusters, effects and swells. Then there are some amazing patches that have the modern Heavyocity twist, with mangled loops and sequences which will fit right at home into any modern production. You have never heard brass like this.”

“Evolve captures the top qualities I look for in a library: cinematic gravitas. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired.”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

“I love it! The bass frequencies sound amazing and the highs have the perfect brightness. Ground-breaking!”

“Scoring Guitars 1 was an integral part of my sound for the tv show, Freakish. With Scoring Guitars 2, they’ve raised the bar again and provided a collection of sounds that will instantly add motion and drama. Whether I’m starting a cue from the ground up, or peppering in a bit of SG2 for color, these new sounds are instant inspiration.”

“The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity’s new offering will shatter all of them.”

“Mosaic Keys is an arsenal of warm keyboard tones, carefully constructed with just the right amount of color, complemented by an analogous swath of gritty, attitude-laden patches. There’s inspiration to be found in every sound, easily tailored with Mosaic’s powerful sound-shaping tools.”

“I absolutely love the sound of FORZO. The Traditional brass patches are the most powerful and crisp brass samples I have heard, and the versatility of the Evolved patches opens up a whole world of organic swells, flourishes, and sound effects to add to my cues. This will definitely become one of my ‘go-to’ new libraries.”

“Heavyocity’s Vocalise is a perfect addition to any library. Vocalise enhances the composer’s toolkit to provide a myriad of colors and sonic textures. The great sound design and flexibility of the instrument is in true Heavyocity fashion, granting composers innumerable options for musical ideas.”

“Damage 2 is right up my alley, but besides being a worthy successor to the Damage throne, it’s so much more. Along with the expected ultra-hard hybrid style hits and processed loops, the organic and ethnic percussion side is hugely expanded, with a massive selection of drums that are impossible to find and difficult to record. The control I get from the front panel allows me to craft my mixes from natural-sounding to way bigger than life, and the perspective mixer and kit builder features let me work with exactly the mix of sounds I want in a single Kontakt instance. It’s no surprise that Damage 2 is an absolute must-have for modern film composers.”

“PUNISH is brilliant. Accurate and precise, it can add simple punch to your track or mixes or completely destroy them! It already did wonders on my Analog synth tracks for the Deus Ex Mankind Divided soundtrack!”

“ASCEND is a beautifully-sampled grand piano. Straight out of the box, the Core Concert D fits perfectly within a myriad of different mixes. Heavyocity treats this piano no different than any other library they’ve created. As beautiful as the original piano does sound, and this library could stand on its own with just being a sampled grand, the bulk of the library gets Heavyocity’s signature treatment. The palette of sounds, whether pads, ARPs or rhythms, is immensely inspiring to say the least. They’ve done some pretty innovative stuff with ASCEND, taking full use of Kontakt’s abilities. There’s a lot going on under the hood. I was off and running on three different pieces just from hearing and being inspired by these sounds. ASCEND definitely gets the creative juices flowing and I am glad it’s part of my arsenal.”

“AEON offers a tremendous new palette of sounds and inspiration for modern scoring.”

“Another tasteful advance in electronic music making weaponry from the vibrant and virile imagination of Heavyocity.”

“In a way, FORZO is the brass library I have been waiting for. For how I write, it’s an instant addition to my palette”

“When it comes to unique tones, colors, and rhythmic sounds the Heavyocity line of plugins can be an amazing library of textures to choose from. Not only do they sounds great from the start, but they’re also easy to program and tweak to create your own identity. I’ve used them many times and most recently on my score to Perry Mason to great affect. The Master Session Library really help me to create what we called on the show “Perry’s World”. Great plugins at an amazing price.”

“DM-307 is yet another home run for the boys at Heavyocity. It offers the
user the chance to create unique and fresh drum loops & sounds with
maximum flexibility and is a joy to use. It’s a keeper without doubt!”

“DM-307 has a great deeply customizable interface to create the rhythm, energy and motion I need for my scores. I look forward to digging in to yet another sonic feat from Heavyocity.”

“Between Damage, DM-307 and Evolve, I thought I had every massive percussion library I’d ever need. I was wrong. Master Sessions: Ensemble Drums brings the extra low end punch that blends perfectly with your other libraries. These are samples that you didn’t know you needed, but that now you can’t live without.”

“Wow, what an amazing instrument! AEON takes working with samples, FX and modulation to another level. It has super flexible controls and allows the quick creation of patterns with amazing sounds. Will probably become one of the best tools in my DAW for the next few of years. I am excited to work more with it.”

“Mutations 2 takes Heavyocity’s sound into an even more customizable, destructive realm. The programming and ‘Trigger FX’ switching in this new set of sounds eliminates huge amounts of time I normally spend personalizing sounds. Out of the box, Mutations 2 once again fits nicely with the style I write. Adding in the ‘on the fly’ effects key-switching makes this this collection a MUST BUY.”

“Holy interface Batman! GRAVITY is an unbelievable feat in sampling technology. Not only does it sound awesome..with endless possibilities, but it’s just plain fun. Which is where the best inspiration comes from. Thank you, Heavyocity! GRAVITY kicks a$$!”

“Instantly hooked on the DM-307. Its fluidity to write drums is amazing and the structure is well-planned out. Full support on this and to The Heavyocity team.”

“Heavyocity’s FORZO is a delightful library. It puts viscerally compelling brass performance at your fingertips. These inspiring instruments will keep composers moving forward.”

“I love using the MOSAIC series of instruments. Not only do they incorporate a fresh approach to tonal variation, they also build in flexible and easily customizable layers of composition design that are invaluable during the scoring process. These instruments are streamlined and user-friendly while also providing an inspiring depth of programming options. That’s a winning combination when you’re creating sounds on the fly and chasing a deadline.”

“Synthetic Strings is a new and unique outlook on the software synth. As someone who heavily lives in electronic scoring, Synthetic Strings is a great tool for those who may not have the time to experiment with analogue synths. The Loop Designer is also a great way to spark inspiration in a pinch, the possibilities are endless!”

“Mosaic Keys is an incredibly inspiring and intuitive tool. With such an expansive range of textures and colors, it will no doubt find its way into many of my future projects. Its sound sources are uniquely compelling, and its ability to layer these sounds with dynamic parameter control makes it truly unlimited in its creative scope.”

“Finally someone has made high string effects with bends! NOVO is incredible! The panning and tuning are spot on. It’s so deep and useful, both for traditional and synth strings, that it has won an immediate place in my template.”

“From ethereal, otherworldly vocals to organic, weighty pads, Mosaic Voices is chalked full of accessible, emotional sounds. Mosaic Voices has all the tools for creating tasteful and adaptable layers that convincingly meld the synthetic with the organic.”

“Heavyocity nails it yet again with this excellent library. From inspiring organic pads to incredibly simple and useful patterns, this library mines the acoustic guitar for its every possibility.”

“Heavyocity’s FORZO is a delightful library. It puts viscerally compelling brass performance at your fingertips. These inspiring instruments will keep composers moving forward.”

“Heavyocity’s new VENTO: Modern Woodwinds library is an amazing and inspirational tool for film scoring! The organic feel to these beautiful orchestral and hybrid Woodwind textures are unparalleled. The recording quality of the samples is impeccable. This library goes many levels deeper than the typical classical woodwind library. The woodwind designer is a great engine which gives me the ability to manipulate an endless number of settings, articulations, loops, and FX. With the vast number of parameters to manipulate, it’s easy to create a fresh set of sounds for every session. VENTO has become an essential part of my toolkit. Along with NOVO and FORZO, it’s a trilogy of soundscapes right at my fingertips. Thank you Heavyocity!!”

“With ASCEND- Heavyocity has taken the sound and spirit of the piano to another level. From traditional to otherworldly- this instrument is inspiring and original…I was immediately drawn into its sonic magic and found myself hitting the record button to capture my performances!”

“FORZO is a welcome addition to the composer’s brass toolkit. Not only is it a strong fully fleshed out high quality brass library, but it includes all kinds of unique prerecorded loops and audio sound design that add greatly to its utility for the media composer.”