“The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity’s new offering will shatter all of them.”

“When we loaded up DAMAGE, the sound quality of the samples took our breath away. It sounds absolutely awesome – huge!

“NOVO is an instant classic. I swear we will be hearing it everywhere in the coming months, and that’s because it’s so darn good and inspiring. As soon as you press a note you get a vibe going, but then you can delve in, assign parameters to faders, and really start sculpting these patches to the way you like them. A premium library from the Heavyocity guys”

“I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

“Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

“Partnering with Heavyocity to produce Rhythmic Textures made me feel like a kid in a musical candy store. I normally shy away from loop-based orchestral samples but I believe composers will find these instruments both inspirational and extremely versatile. I’m quite proud to be part of such a unique product.”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”

“PUNISH is brilliant. Accurate and precise, it can add simple punch to your track or mixes or completely destroy them! It already did wonders on my Analog synth tracks for the Deus Ex Mankind Divided soundtrack!”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“Master Sessions: Ensemble Drums does an incredible job of providing beefy, massive and hard hitting percussion ensembles that are supper tight, mix ready and sound huge at any volume. Like previous Heavyocity products, all the programming is rock solid and consistent.”

“There are so many interesting sounds in the DM-307 that I plan to use. I found there to be a lot of really nice dark percussion and cool hi hats. Very dark-techy….and also a little bit electro!”

“Applying Heavyocity’s PUNISH to my tracks and mixes feels like somebody put a huge drum stool thumper under my seat!”

“Synthetic Strings is a new and unique outlook on the software synth. As someone who heavily lives in electronic scoring, Synthetic Strings is a great tool for those who may not have the time to experiment with analogue synths. The Loop Designer is also a great way to spark inspiration in a pinch, the possibilities are endless!”

“Instantly hooked on the DM-307. Its fluidity to write drums is amazing and the structure is well-planned out. Full support on this and to The Heavyocity team.”

“In a way, FORZO is the brass library I have been waiting for. For how I write, it’s an instant addition to my palette”

“Heavyocity’s FORZO is a delightful library. It puts viscerally compelling brass performance at your fingertips. These inspiring instruments will keep composers moving forward.”

“Wow, where do I even start!? Where did you guys come from? This Evolve library is everything I’ve wanted in a sample library for years. The dynamic range across all 6 gigs of content is astounding, from the heaviest of hits and beats, to the lightest quirkiness of a mouth pop. The quality and production of Evolve from top to bottom is by far the biggest bang for your buck on the market today.”

“Just like with Evolve, Heavyocity delivers once again with their newest Mutations. It’s incredibly wicked and a must for any serious composer!!”

“Wow, GRAVITY is way beyond everything else I had in my fingers when it comes to dark and sinister sound design, and it’s even beyond that. Actually, it’s the world’s nemesis in a playable instrument and you can control every parameter of doomsday.”

“I’m loving the DM-307, it’s got that signature Heavyocity attitude, rock solid timing and an incredible variety of ultra-tweakable sounds. The GUI is among the best I’ve ever used in a Kontakt instrument. It’s is an amazing drum tool that has instantly jumped to the top of my go-to list.”

“Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

“Evolve is a tremendous musical platform. Since I got it, I have used it on every musical project that has come my way. I look forward to getting in the studio when I can bring in that plug-in and just ride the inspiration.”

“FORZO is a welcome addition to the composer’s brass toolkit. Not only is it a strong fully fleshed out high quality brass library, but it includes all kinds of unique prerecorded loops and audio sound design that add greatly to its utility for the media composer.”

“The boys at Heavyocity have come up with another blinder in Damage – top notch sounds and the smart & creative programming tools needed to manipulate them.  Job done!”

“NOVO: Modern Strings is dynamic and expressive. It provides the composer with a wide range of orchestral tools that suit any project. It is intuitive and will keep you inspired.”

“DAMAGE is amazing. It manages to push the high standards of the previous creations of the Heavyocity team. DAMAGE has the trademark of the industry, but in a wider and more poignant scope. Great cinematic stuff, energetic, refreshing, and inventive. Thanks!”

“DM-307 continues to innovate the Heavyocity sound through immersive sound design and musical programming. DM-307 offers me a versatile sound palette that expands the possibilities of musical expression and creation.”

“Within seconds of installing DAMAGE it became an essential part of my studio. It’s unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit.”

“I really love the multi-sampled organic patches – truly original sounds that inspire new ideas with a few notes. Seriously, though…you guys are making it WAY TOO EASY to sound like a synth programming maestro. Aeon is so tweakable and easy to make your own. And man, what a sound! I’ve never heard synths that sit so well in my mixes without touching a thing – full and fat without taking up too much space. I hate that it’s getting released to the public…can’t we keep this one between us?”

“I’ve always liked Heavyocity’s approach to instrument design, focusing on the actual needs of composers/producers. FORZO builds on this tradition, with a new level of sound quality and vastly increased production adaptability. Hits the spot for me!”

“DM-307 is yet another example of Heavyocity standing out from the crowd. Their stuff is always bold, and let me tell you this thing is BOLD. Some of the sounds will take your head off right out of the box. And like all of their other synths, I love the interface. The grid is awesome, so fun to use and it just works with my writing. Heavyocity take great care in making interfaces that don’t bog you down when you’re trying to create, but rather enhance your workflow. I love these guys!!”

“DM-307 is yet another home run for the boys at Heavyocity. It offers the
user the chance to create unique and fresh drum loops & sounds with
maximum flexibility and is a joy to use. It’s a keeper without doubt!”

“Evolve captures the top qualities I look for in a library: cinematic gravitas. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired.”

“PUNISH is the perfect cure for that boring ‘straight out of the box’ sound. From subtle sonic facelifts to all out audio decimation, Heavyocity gives us the plugin we didn’t know we needed but probably won’t be able to live without”

“If I were a director, I could not resist shooting a scene on every single one of the ‘Ambient-Elements’ patches! I especially love the more minimal elegance on some of the synth-presets. Leading-edge stuff!!”

“Being a guitar player myself, I tend to shy away from any kind of virtual guitar instruments. But Heavyocity has taken guitars to a whole new level with Scoring Guitars 2. I love the clean tone of the instrument and having so many choices to distort, mangle and overall punish the original sound. The forward and reverse options are also inspiring and huge timesavers.”

“What you guys delivered is completely different… Nothing sounds like this. The sounds seem perfect for anything from a really intelligent dance remix to the score for ‘Battlestar Galactica’ or a billion other movies… Just awesome inspiring kick-ass sounds!!”

“Synthetic Strings is another colorfully powerful package from our friends at Heavyocity. The size and depth of what can be done with this library is endless from huge fat evolving synths to cutting raw synths, strings and filters. The ability to craft rhythmic patterns from raw and processed synths and strings leaves us inspired with each cue we write. Thanks Heavyocity!!”

“DM-307 has a great deeply customizable interface to create the rhythm, energy and motion I need for my scores. I look forward to digging in to yet another sonic feat from Heavyocity.”

“Scoring Guitars 1 was an integral part of my sound for the tv show, Freakish. With Scoring Guitars 2, they’ve raised the bar again and provided a collection of sounds that will instantly add motion and drama. Whether I’m starting a cue from the ground up, or peppering in a bit of SG2 for color, these new sounds are instant inspiration.”

“I’ve spent hours going through the whole library and every single sound is fat and clean, just the way I like them. [DM-307] gives you the option to make them the way you like, tweaking here and there. The whole thing is ACE! I’ve been using Heavyocity’s products since day one and have always been extremely satisfied.”

“FORZO: Modern Brass is the new overlord of all brass libraries. It’s extremely playable and the interface is slick and effortless with plenty of control. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. The additional “mangling” options are my favorite and never fail to spark inspiration.”

“The diversity of sound within GRAVITY is astonishing. Each sound inspires new ideas and creative techniques that enhance my writing process. The elements in GRAVITY not only sound great but are very musical and functional. Music/Sound design is pushed to new limits with GRAVITY. Any musician will benefit with GRAVITY in their toolbox.”

“Very cool presets and sounds. It’s great for creating loops from another approach. I seriously dig the drum and hi-hat banks. Good stuff!!”

“Rhythmic Textures definitely has Heavyocity & Jason Graves’ signature all over it, in the best way. The basic bones of it, the actual samples recorded, are ripe with compelling motion, but then the ability to utterly mangle them from there forward is truly powerful. It was a joy to experiment and instantly profoundly useful.”

“Clearly a huge amount of creative energy and musical ability has gone into making Evolve the unique and useful instrument that it is. I continue to be impressed.”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

“For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”

“I knew in about two minutes that Aeon would be welcomed with open arms into my studio. “This thing is awesome!” was the initial reaction. The sounds are really well done, very creative and very useful. And I love the super clean interface. You can easily tweak the sounds and mold them into what you need, without getting lost in a sea of pages and menus. It’s all very accessible and integrates right into the workflow. Thank you team Heavyocity.”

“DAMAGE is a great musical tool for those looking for ballsy percussive sounds that will add color and vibrance to their tracks.  It has great sounds and an intuitive interface.”

“Aeon is yet another fine example of the sonic brilliance we’ve come to expect from the guys at Heavyocity. The instantly usable sounds, mixed with the customizable intuitive controls make these sounds a dream to work with.”

“Once again, the team at Heavyocity deliver a stellar product in FORZO: Modern Brass. As a composer and trombonist, I am very particular when it comes to brass libraries. FORZO delivers in all areas, with superbly performed and recorded traditional brass sections, plus hundreds of clusters, effects and swells. Then there are some amazing patches that have the modern Heavyocity twist, with mangled loops and sequences which will fit right at home into any modern production. You have never heard brass like this.”

“I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

“Just when Evolve had become one of my ‘go to’ musical sound design instruments, Heavyocity piles on the awesomeness with Mutations 2. I love the new designy pads, great new hits, the new interface and the real time trigger FX. 2 thumbs way up and a big grin on my face. Very useful stuff!”

“GRAVITY is the perfect tool for any composer scoring to picture. The sounds are inspiring and categorized in a really smart way. The interface is deep but also quick and intuitive. GRAVITY has already become one of my go to scoring tools. Thanks for nailing it again, Heavyocity.”

“Heavyocity does it again! AEON is perfect for building melodic textures and beefy motifs, quickly and efficiently. The sonic possibilites are endless.”

“I love it! The bass frequencies sound amazing and the highs have the perfect brightness. Ground-breaking!”

“AEON is a welcome addition to my toolkit. It’s sound quality and ease of use is refreshing. Like DAMAGE before it, AEON presents a vast array sonic possibilities for the hybrid music composer.”

“I love how Heavyocity pushes the boundaries of timbre and rhythm with the DM-307. Not surprisingly, it’s just another great product from this consistently, high quality, innovative and most importantly MUSICAL company. Thank you Heavyocity for the good work.”