“Heavyocity does it again! AEON is perfect for building melodic textures and beefy motifs, quickly and efficiently. The sonic possibilites are endless.”

“The beauty of Evolve is the deadly combination of first-rate, out-of-the-box sounds with the all too easy ability to tweak everything to make it your own. It’s the best of both worlds! Evolve is at the top of my ‘go-to’ list for inspirational and evocative sounds. It’s easily one of the best sounding virtual instruments I’ve had the pleasure of playing.”

“Mutations delivers dry, in-your-face sounds that ooze style and character. It’s also aptly named – the simple but powerful interface allows radical manipulation and sonic mayhem, which is a must for those of us looking to make every sound ‘our own.’ And of course, in the tradition of Evolve, it sounds like a million bucks and sits perfectly in all of my mixes.”

“I like having a huge pallet of sounds to draw from, and DAMAGE has extended mine further. It’s not just a preset factory though, there’s so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too.”

“A very fast and very tweakable one-stop black box to make your tracks bump, grind, pop, scream, or shout”

“GRAVITY absolutely keeps what the name implies! Once you get close to it, you will always gravitate towards it when it comes to brilliantly crafted Modern Scoring Tools!”

“Sometimes my sounds are bad and need to be punished. Now I just run them through PUNISH and they become even more bad ass!”

“Evolve Mutations 2 take the core musical and sonic coolness of Evolve to a completely different level. The sounds are extreme and evocative. A really great tool for anyone in music production.”

“As a remixer, I’m always looking for new sounds that bring fresh attitude to a track. Evolve Mutations 2 has the most inspiring collection of sonics under one instrument, that I’ve heard in years! When it comes to edgy glitchy, industrial beats, nothing comes close. If I’m looking to elevate the atmospherics and deepen the production, Evolve Mutations 2 is the first place I go.”

“The DM307 is an extremely versatile groove making powerhouse. The range of this instrument amazed me. From out-of-box killer grooves to being able to meticulously craft your own by using their new GRID and LOOP MUTATOR features. With an enormous library of sounds and the ability to tweak, the DM307 is a welcomed addition to my sound and style of writing.”

“Master Sessions: Ensemble Drums is yet another killer sounding, sleek and deceivingly deep product from Heavyocity. The kits sit nicely in your mixes, and with the ability to Punish and Twist all the stem breakdowns of the loops, it’s easy to make them your own.”

“I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

“When we loaded up DAMAGE, the sound quality of the samples took our breath away. It sounds absolutely awesome – huge!

“PUNISH is brilliant. Accurate and precise, it can add simple punch to your track or mixes or completely destroy them! It already did wonders on my Analog synth tracks for the Deus Ex Mankind Divided soundtrack!”

“With DAMAGE, the Heavyocity guys redefined percussive sampling. Now with AEON they created an entire universe of organic hybrid sounds ready to be mangled at your finger tips. Never has a sample library had this many features and powerful effects. Better hurry, I’m already using it on my next score.”

“The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity’s new offering will shatter all of them.”

“DAMAGE is everything a composer wishes for in a virtual instrument – outstanding sounds combined with instant gratification. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart’s content is invaluable! DAMAGE just became my go-to source for cutting edge rhythmic sounds.”

“Just when Evolve had become one of my ‘go to’ musical sound design instruments, Heavyocity piles on the awesomeness with Mutations 2. I love the new designy pads, great new hits, the new interface and the real time trigger FX. 2 thumbs way up and a big grin on my face. Very useful stuff!”

“Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

“Master Sessions: Ensemble Drums does an incredible job of providing beefy, massive and hard hitting percussion ensembles that are supper tight, mix ready and sound huge at any volume. Like previous Heavyocity products, all the programming is rock solid and consistent.”

“GRAVITY is a cutting-edge, unique design tool that uses intensely well-recorded live orchestral and analog sources to create modern ambiences, pulses, risers and more. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend.”

“The Hits material alone is worth the price! I’ve used Gravity for sound design applications as well as dynamic musical impacts (“Hits”). Gravity fits in great with both hybrid and orchestral sessions. I highly recommend it.”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”

“Evolve is a tremendous musical platform. Since I got it, I have used it on every musical project that has come my way. I look forward to getting in the studio when I can bring in that plug-in and just ride the inspiration.”

“With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

“This library is a beast! It opens up a whole new playground for keeping the “sound of the sound” alive and responsive—and, above all, inspiring. Like its predecessors, it makes me want to hang out in my studio for days on end and just explore. The Trigger FX function adds a whole new dimension, making it seriously addictive to explore even deeper, effectively banishing the “been there, heard that” personality of so many other libraries. With Mutations 2 Heavyocity have ‘upped the game’… again.”

“Within seconds of installing DAMAGE it became an essential part of my studio. It’s unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit.”

“I had the chance to try NOVO and I was amazed by the versatility and the intuitiveness of the instrument. Here we have a very powerful tool, using classic or unusual string sounds, plus a very large library of ’designed strings’ and, perhaps even more importantly, a very strong ‘Loop Designer’ machine, ready for immediate use, or with some sophisticated programming, more custom results. NOVO fills a gap that we composers were feeling when creating music with a rhythmic contemporary approach and, at the same time, an orchestral or post-orchestral sound. This may be the beginning of a new concept of great virtual instruments! Thanks Heavyocity!”

“Rhythmic Textures is not a replacement for your string library, instead it is one of those rare sample libraries that inspire ideas from the composer immediately upon playing them. The samples are rich and organic and very realistic sounding. When you play them you are immediately enticed to compose using these moody evocative smaller string ensembles, rich in mood and attitude and ideal for the composer who scores to picture. Best of all, they suggest ideas without dictating them. Highly recommended.”

“I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

“NOVO is an instant classic. I swear we will be hearing it everywhere in the coming months, and that’s because it’s so darn good and inspiring. As soon as you press a note you get a vibe going, but then you can delve in, assign parameters to faders, and really start sculpting these patches to the way you like them. A premium library from the Heavyocity guys”

“Wow, what an amazing instrument! AEON takes working with samples, FX and modulation to another level. It has super flexible controls and allows the quick creation of patterns with amazing sounds. Will probably become one of the best tools in my DAW for the next few of years. I am excited to work more with it.”

“DAMAGE is amazing. It manages to push the high standards of the previous creations of the Heavyocity team. DAMAGE has the trademark of the industry, but in a wider and more poignant scope. Great cinematic stuff, energetic, refreshing, and inventive. Thanks!”

“Heavyocity has done it again with Evolve Mutations. This is another no brainer library to own. The sounds are so relevant and useable right out of the box for many types of scoring projects that I work on. They have fast become one of my favorite sample developers.”

“…both Aeon Rhythmic and Melodic sound fantastic. I’ve come to expect that. But Heavyocity has gone five steps further in their programming. There is a true, real, usable, and to my mind the finest digital emulation of a step sequencer in these libraries! The sound shaping possible in the Aeon interface is better than any Kontakt library we’ve used to date at my studio. Simply put – instantly usable sounds in an infinitely customizable interface, deeply and expertly programmed.”

“Just like with Evolve, Heavyocity delivers once again with their newest Mutations. It’s incredibly wicked and a must for any serious composer!!”

“Clearly a huge amount of creative energy and musical ability has gone into making Evolve the unique and useful instrument that it is. I continue to be impressed.”

“AEON does to melody and harmony what Evolve and DAMAGE did to percussion, loops and fx. It provides a great repertoire of sounds and sequences for scoring, using a clear and clever interface and the right tools to bring life to your track. The quality is outstanding, the choices are always edgy and perfectly contemporary. I hope it will be followed by more products like this one. The more you will use it the more you will love it…”

“Still in shock. Endless possibilities. Breathtaking sounds. Quite literally three instruments in one! Having control over both the natural, modern string instruments and their processed, mangled counterparts is a stroke of genius.”

“Partnering with Heavyocity to produce Rhythmic Textures made me feel like a kid in a musical candy store. I normally shy away from loop-based orchestral samples but I believe composers will find these instruments both inspirational and extremely versatile. I’m quite proud to be part of such a unique product.”

“Finally someone has made high string effects with bends! NOVO is incredible! The panning and tuning are spot on. It’s so deep and useful, both for traditional and synth strings, that it has won an immediate place in my template.”

“What you guys delivered is completely different… Nothing sounds like this. The sounds seem perfect for anything from a really intelligent dance remix to the score for ‘Battlestar Galactica’ or a billion other movies… Just awesome inspiring kick-ass sounds!!”

“PUNISH is a great combo of glue, punch, and character. You can really dial in the desired intensity, it’s incredibly well-conceived and the PUNISH Knob is genius.”

“What can I say? Heavyocity continues to blow me away with their amazing and infinitely adaptable sounds. These drums are so modern and punchy, oozing with analog mojo that so many sample libraries seem to be missing. And the interface! So a treat to use – classy looks with ultra intuitive controls. Heavyocity makes it so easy to tweak the sounds and make them your own. Hands down the best looking, and sounding, virtual instruments available.”

“In the crowded world of sample-based Sound Design & film scoring tools Heavyocity’s Aeon series stands apart not only in terms of it vast array of  progressive timbres, tone colors, & moods but in the attention to user controllable aspects that encourage users to make their Aeon Soundscape experience  truly their own. Fantastic!”

“…The EVOLVE plug is amazing.”

“Being a guitar player myself, I tend to shy away from any kind of virtual guitar instruments. But Heavyocity has taken guitars to a whole new level with Scoring Guitars 2. I love the clean tone of the instrument and having so many choices to distort, mangle and overall punish the original sound. The forward and reverse options are also inspiring and huge timesavers.”

“Rhythmic Textures definitely has Heavyocity & Jason Graves’ signature all over it, in the best way. The basic bones of it, the actual samples recorded, are ripe with compelling motion, but then the ability to utterly mangle them from there forward is truly powerful. It was a joy to experiment and instantly profoundly useful.”

“If I were a director, I could not resist shooting a scene on every single one of the ‘Ambient-Elements’ patches! I especially love the more minimal elegance on some of the synth-presets. Leading-edge stuff!!”

“Heavyocity continues to offer the most innovative and dynamic sounds. Both AEON Rhythmic and AEON Melodic are creative, inspiring, and will provide a unique sound to any music project.”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”

“Heavyocity’s new Ensemble Drums is a welcome addition to my studio. Continuing their reputation for powerful organic percussion, it’s ease of use and impressive sonic quality provides an excellent foundation for modern film music production.”

“Heavyocity’s Vocalise is a perfect addition to any library. Vocalise enhances the composer’s toolkit to provide a myriad of colors and sonic textures. The great sound design and flexibility of the instrument is in true Heavyocity fashion, granting composers innumerable options for musical ideas.”

“AEON is a welcome addition to my studio’s sound library. There’s a really nice organic essence to the sounds, plus the tweakability of the interface gives even more scope to do something different.”

“Mutations is a fantastic upgrade to Evolve. The sounds blend perfectly with the rest of my libraries and provide more of the same edgy kind of material I love using to spice up my tracks.”

“With other sample libraries, I have to spend too much of my time tweaking them to get them to sound acceptable. Evolve Mutations sounds incredible right away, which allows me to spend more time composing, and less time trying to fix mediocre sounds.”

“Heavyocity is without a doubt far beyond their peers and at the forefront of using Kontakt & it’s scripting abilities to the fullest. This time, with Aeon they not only created new content, but new original tools to manipulate the synths & rhythms, giving the artist even more creative control than ever before. Using their custom intuitive interface, coupled with it’s outstanding content puts Aeon over the top. There is no other library like it.”

“Wow, where do I even start!? Where did you guys come from? This Evolve library is everything I’ve wanted in a sample library for years. The dynamic range across all 6 gigs of content is astounding, from the heaviest of hits and beats, to the lightest quirkiness of a mouth pop. The quality and production of Evolve from top to bottom is by far the biggest bang for your buck on the market today.”

“Heavyocity’s first foray into the plug-in realm with PUNISH does not disappoint. Having this signature feature of their instruments now available as a stand alone FX plugin to use and apply on anything I want, has me smiling from ear to ear.”