“Every once in a while a sample library comes along that raises the bar. Evolve has done just that, it’s outstanding, and should be on the must-have list for any composer.”

“DAMAGE does just that. It gives you wonderfully sampled and programmed percussion and lets you do some serious damage with it. Heavyocity has not only produced a superb library, but they have given the composer the creative freedom to make it their own. Nice work guys!”

“Instantly inspiring, this is yet another Heavyocity instrument that checks the ‘I always wanted this’ box for me! Zero learning curve, maximum adaptability – goes straight into my main template!”

“We were hoping that no one would find out about the new DAMAGE pack… but the secret’s out. Pure sickness from the best in the biz.”

“I am using Mutations for a new remix… I am totally loving it. Right up my alley.”

“I really love the multi-sampled organic patches – truly original sounds that inspire new ideas with a few notes. Seriously, though…you guys are making it WAY TOO EASY to sound like a synth programming maestro. Aeon is so tweakable and easy to make your own. And man, what a sound! I’ve never heard synths that sit so well in my mixes without touching a thing – full and fat without taking up too much space. I hate that it’s getting released to the public…can’t we keep this one between us?”

“Heavyocity is consistently putting out libraries that have found their way into almost every score I’ve written over the last five years. With the release of GRAVITY, I was literally holding back cues from clients until I could add these sounds to my current projects. Well done, guys!”

“I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

“I’m loving the DM-307, it’s got that signature Heavyocity attitude, rock solid timing and an incredible variety of ultra-tweakable sounds. The GUI is among the best I’ve ever used in a Kontakt instrument. It’s is an amazing drum tool that has instantly jumped to the top of my go-to list.”

“Being a guitar player myself, I tend to shy away from any kind of virtual guitar instruments. But Heavyocity has taken guitars to a whole new level with Scoring Guitars 2. I love the clean tone of the instrument and having so many choices to distort, mangle and overall punish the original sound. The forward and reverse options are also inspiring and huge timesavers.”

“The sound of the DM-307 is awesome! You don´t need to add tons of plugins to get it to sound good. The sounds are ready to use in your productions.”

“I love it! The bass frequencies sound amazing and the highs have the perfect brightness. Ground-breaking!”

“GRAVITY is the perfect tool for any composer scoring to picture. The sounds are inspiring and categorized in a really smart way. The interface is deep but also quick and intuitive. GRAVITY has already become one of my go to scoring tools. Thanks for nailing it again, Heavyocity.”

“NOVO is an instant classic. I swear we will be hearing it everywhere in the coming months, and that’s because it’s so darn good and inspiring. As soon as you press a note you get a vibe going, but then you can delve in, assign parameters to faders, and really start sculpting these patches to the way you like them. A premium library from the Heavyocity guys”

“GRAVITY is a cutting-edge, unique design tool that uses intensely well-recorded live orchestral and analog sources to create modern ambiences, pulses, risers and more. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend.”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“The DM-307 is really intuitive and easy to work with it. You can expect really nice sounds for your productions, for sure.”

“Evolve is a tremendous musical platform. Since I got it, I have used it on every musical project that has come my way. I look forward to getting in the studio when I can bring in that plug-in and just ride the inspiration.”

“Another tasteful advance in electronic music making weaponry from the vibrant and virile imagination of Heavyocity.”

“Finally! A piano that can make all those abstract “piano-based sounds” I hear in my head, with all the usually delicious and sublime Heavyocity accoutrements. The core sounds are spot on as well – beautiful and emotional – everything I need for cinematic writing.”

“A very fast and very tweakable one-stop black box to make your tracks bump, grind, pop, scream, or shout”

“Synthetic Strings is another colorfully powerful package from our friends at Heavyocity. The size and depth of what can be done with this library is endless from huge fat evolving synths to cutting raw synths, strings and filters. The ability to craft rhythmic patterns from raw and processed synths and strings leaves us inspired with each cue we write. Thanks Heavyocity!!”

“With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

“Mosaic Keys is an incredibly inspiring and intuitive tool. With such an expansive range of textures and colors, it will no doubt find its way into many of my future projects. Its sound sources are uniquely compelling, and its ability to layer these sounds with dynamic parameter control makes it truly unlimited in its creative scope.”

“Mosaic Keys is packed with endless combinations of inspiring sounds and underlying movement. I find it to be a great springboard for ideas, whether it be the foundations of a cue or a song. The GUI, which is definitely a descendant of their previous releases, is easy to maneuver and makes customizing each of the three channel’s sounds super easy and fun.”

“I’ve spent hours going through the whole library and every single sound is fat and clean, just the way I like them. [DM-307] gives you the option to make them the way you like, tweaking here and there. The whole thing is ACE! I’ve been using Heavyocity’s products since day one and have always been extremely satisfied.”

“Heavyocity’s Vocalise is a perfect addition to any library. Vocalise enhances the composer’s toolkit to provide a myriad of colors and sonic textures. The great sound design and flexibility of the instrument is in true Heavyocity fashion, granting composers innumerable options for musical ideas.”

“GRAVITY lives up to its name for me. Deep, Cinematic, and extremely playable. It brings such instant satisfaction, but with extensive tweak ability as well. It just sounds Alive to me. An instant addition to my next movie score”

“Mosaic Voices brilliantly combines hybrid, expansive vocal textures with subtle, organic voice elements. Driven by the powerful Mosaic Engine, its creative capacity knows no limits. I find it to be a refreshingly versatile tool for crafting cinematic music.”

“AEON is a welcome addition to my toolkit. It’s sound quality and ease of use is refreshing. Like DAMAGE before it, AEON presents a vast array sonic possibilities for the hybrid music composer.”

“Wow, what an amazing instrument! AEON takes working with samples, FX and modulation to another level. It has super flexible controls and allows the quick creation of patterns with amazing sounds. Will probably become one of the best tools in my DAW for the next few of years. I am excited to work more with it.”

“If you’re working in trailers, or really any form of hybrid scoring, you need FORZO in your arsenal. It’s heavy, versatile, and completely unique! I feel like I’ve only scratched the surface.”

“As with all Heavyocity lines, Mosaic Voices is another great addition to my growing toolkit. The ability to isolate various parts of each sample opens up a world of possibilities.”

“Wow, GRAVITY is way beyond everything else I had in my fingers when it comes to dark and sinister sound design, and it’s even beyond that. Actually, it’s the world’s nemesis in a playable instrument and you can control every parameter of doomsday.”

“NOVO: Modern Strings is dynamic and expressive. It provides the composer with a wide range of orchestral tools that suit any project. It is intuitive and will keep you inspired.”

“…both Aeon Rhythmic and Melodic sound fantastic. I’ve come to expect that. But Heavyocity has gone five steps further in their programming. There is a true, real, usable, and to my mind the finest digital emulation of a step sequencer in these libraries! The sound shaping possible in the Aeon interface is better than any Kontakt library we’ve used to date at my studio. Simply put – instantly usable sounds in an infinitely customizable interface, deeply and expertly programmed.”

“FORZO: Modern Brass is the new overlord of all brass libraries. It’s extremely playable and the interface is slick and effortless with plenty of control. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. The additional “mangling” options are my favorite and never fail to spark inspiration.”

“Once again, the team at Heavyocity deliver a stellar product in FORZO: Modern Brass. As a composer and trombonist, I am very particular when it comes to brass libraries. FORZO delivers in all areas, with superbly performed and recorded traditional brass sections, plus hundreds of clusters, effects and swells. Then there are some amazing patches that have the modern Heavyocity twist, with mangled loops and sequences which will fit right at home into any modern production. You have never heard brass like this.”

“The other day I wandered into the studio and noticed an unfamiliar and spooky looking interface glowing at me from the computer. Turns out its the new Heavyocity GRAVITY, which my assistant had set up. I sat down, pressed a key, and started laughing out loud. GRAVITY is stunning. You guys have done it again.”

“VENTO: Modern Woodwinds is another stellar quality release from the team at Heavyocity. This library completely delivers a wonderful and deep array of woodwind textures; From the more organic Traditional patches, to many more incredibly sound-designed Evolved patches, which composers always enjoy from Heavyocity. There is such a huge variety of sounds in this library, from the more traditional woodwind textures, to Ambient pads, aletoric FX and Textures, all the way through to Rhythmic elements and Loops. You have definitely not heard woodwinds like this before! Superb! If you are working in modern scoring you should buy this. Adding it to my template immediately is a no brainer.”

“It feels like you took my six outboard compressors and created a plugin especially for me. I’ve become very picky about my software dynamics over the years and PUNISH is above and beyond anything I’ve encountered – a fantastic combo of vintage vibe with all-in happy sauce for that pro gloss.”

“Heavyocity’s first foray into the plug-in realm with PUNISH does not disappoint. Having this signature feature of their instruments now available as a stand alone FX plugin to use and apply on anything I want, has me smiling from ear to ear.”

“Mutations 2 takes Heavyocity’s sound into an even more customizable, destructive realm. The programming and ‘Trigger FX’ switching in this new set of sounds eliminates huge amounts of time I normally spend personalizing sounds. Out of the box, Mutations 2 once again fits nicely with the style I write. Adding in the ‘on the fly’ effects key-switching makes this this collection a MUST BUY.”

“I’ve always loved Heavyocity because of their bold and in your face approach to sound design. The standalone PUNISH effect is everything I hoped it would be. So far I’ve used it on percussion and synths for that extra bit of mean and nasty, and I look forward to trying it out on pretty much everything else. Thank you Heavyocity for this dangerous new tool.”

“DAMAGE is a great musical tool for those looking for ballsy percussive sounds that will add color and vibrance to their tracks.  It has great sounds and an intuitive interface.”

“…The EVOLVE plug is amazing.”

“As a remixer, I’m always looking for new sounds that bring fresh attitude to a track. Evolve Mutations 2 has the most inspiring collection of sonics under one instrument, that I’ve heard in years! When it comes to edgy glitchy, industrial beats, nothing comes close. If I’m looking to elevate the atmospherics and deepen the production, Evolve Mutations 2 is the first place I go.”

“As with all Heavyocity lines, Mosaic Keys is another great addition to my growing toolkit. The ability to isolate various parts of each sample opens up a world of possibilities.”

“I love how Heavyocity pushes the boundaries of timbre and rhythm with the DM-307. Not surprisingly, it’s just another great product from this consistently, high quality, innovative and most importantly MUSICAL company. Thank you Heavyocity for the good work.”

“With my daily composing work I need to produce a lot of music and very fast,
but also music that sounds fully produced and in high quality. This is exactly what Evolve Mutations 2 gives me, and then some! The quality of the samples is superb, and the loops are flawless. On top of that this library is very easy to operate, so it just makes my life easier. I HIGHLY RECOMMEND.”

“DAMAGE has become an integral part of my palette and it blends seamlessly regardless of the genre of music I’m working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ’s and filters.”

“Within seconds of installing DAMAGE it became an essential part of my studio. It’s unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit.”

“Fresh sounding and malleable, ASCEND: Modern Grand is perfect for creating evocative organic piano textures. ASCEND is packed with wildly creative articulations that come together seamlessly with Heavyocity’s powerful new engine, creating utility far beyond that of the superb piano this instrument is built atop.”

“GRAVITY in not just a huge collection of hits, FX, pads, drones, and stings, it is an extremely musical, playable instrument. Once I realized how much I could tweak the sounds to exactly what I was looking for I got a glimpse of the endless possibilities of this essential tool. GRAVITY is Heavy!”

“Synthetic Strings is yet another ‘add-on’ pack to Heavyocity’s NOVO that is loaded with an abundance of material. Many presets harken back to the synths of the 70s & 80s, which can easily find their way into many modern productions. Once again the treat in this Pack is the Designer Patches. How they manipulate these synths in the ‘Designer Patches’ is beyond me, but I can always count on Heavyocity to spark the fires of creativity.”

“The DM307 is an extremely versatile groove making powerhouse. The range of this instrument amazed me. From out-of-box killer grooves to being able to meticulously craft your own by using their new GRID and LOOP MUTATOR features. With an enormous library of sounds and the ability to tweak, the DM307 is a welcomed addition to my sound and style of writing.”

“Evolve Mutations 2 take the core musical and sonic coolness of Evolve to a completely different level. The sounds are extreme and evocative. A really great tool for anyone in music production.”

“With ASCEND- Heavyocity has taken the sound and spirit of the piano to another level. From traditional to otherworldly- this instrument is inspiring and original…I was immediately drawn into its sonic magic and found myself hitting the record button to capture my performances!”

“Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

“For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”