“ASCEND: Modern Grand encapsulates the timeless nature and true power of a deeply sampled Steinway Piano. The library provides me with an inspirational toolkit of thousands of unique sounds. I find the ability to combine gorgeous piano textures with extended techniques very effective. Whether it is bowed, brushed, twined, and harmonic techniques, these combinations provide wonderful new colors and tones for sonic inspiration. The interface is user friendly. The spatial and timbral effects presets are dynamic and exciting. The arpeggiator, echo, modulations, and multiple filter options allow me to transform the default settings into my own patches with ease. Thank you Heavyocity!”

“I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

“NOVO: Modern Strings is dynamic and expressive. It provides the composer with a wide range of orchestral tools that suit any project. It is intuitive and will keep you inspired.”

“I’m loving the DM-307, it’s got that signature Heavyocity attitude, rock solid timing and an incredible variety of ultra-tweakable sounds. The GUI is among the best I’ve ever used in a Kontakt instrument. It’s is an amazing drum tool that has instantly jumped to the top of my go-to list.”

“The DM-307 is really intuitive and easy to work with it. You can expect really nice sounds for your productions, for sure.”

“Synthetic Strings is a new and unique outlook on the software synth. As someone who heavily lives in electronic scoring, Synthetic Strings is a great tool for those who may not have the time to experiment with analogue synths. The Loop Designer is also a great way to spark inspiration in a pinch, the possibilities are endless!”

“Heavyocity’s FORZO is a delightful library. It puts viscerally compelling brass performance at your fingertips. These inspiring instruments will keep composers moving forward.”

“Wow, GRAVITY is way beyond everything else I had in my fingers when it comes to dark and sinister sound design, and it’s even beyond that. Actually, it’s the world’s nemesis in a playable instrument and you can control every parameter of doomsday.”

“Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

“Heavyocity has created another amazing product with DAMAGE.”

“This library is a beast! It opens up a whole new playground for keeping the “sound of the sound” alive and responsive—and, above all, inspiring. Like its predecessors, it makes me want to hang out in my studio for days on end and just explore. The Trigger FX function adds a whole new dimension, making it seriously addictive to explore even deeper, effectively banishing the “been there, heard that” personality of so many other libraries. With Mutations 2 Heavyocity have ‘upped the game’… again.”

“Heavyocity does it again! AEON is perfect for building melodic textures and beefy motifs, quickly and efficiently. The sonic possibilites are endless.”

“Damage 2 is a remarkable achievement! Not only has Heavyocity created an endless supply of inspiring sounds to choose from, but they’ve also made a beautiful and feature-rich engine with which to manipulate them. The recorded material and sound design is stunning. The new addition and implementation of the swells, flams, rolls, and repeats are ingenious! I’m hard-pressed to think of a library that is this versatile and, at the same time, so intuitive. All the hard work has been done, and I can just sit down and be creative!”

“DM-307 is yet another home run for the boys at Heavyocity. It offers the
user the chance to create unique and fresh drum loops & sounds with
maximum flexibility and is a joy to use. It’s a keeper without doubt!”

“Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”

“I love using the MOSAIC series of instruments. Not only do they incorporate a fresh approach to tonal variation, they also build in flexible and easily customizable layers of composition design that are invaluable during the scoring process. These instruments are streamlined and user-friendly while also providing an inspiring depth of programming options. That’s a winning combination when you’re creating sounds on the fly and chasing a deadline.”

“As a remixer, I’m always looking for new sounds that bring fresh attitude to a track. Evolve Mutations 2 has the most inspiring collection of sonics under one instrument, that I’ve heard in years! When it comes to edgy glitchy, industrial beats, nothing comes close. If I’m looking to elevate the atmospherics and deepen the production, Evolve Mutations 2 is the first place I go.”

“The boys at Heavyocity have come up with another blinder in Damage – top notch sounds and the smart & creative programming tools needed to manipulate them.  Job done!”

“Ahhh yes, those ambitious and creative people at Heavyocity have outdone themselves once again. Certainly the raw sounds that this thing serves up have an arresting depth and clarity that is hard to ignore, but it is the flexible way that one can manipulate said sounds that appeals to me the most. About as user friendly as one could possibly hope for.
Nice one, you Damage(d) people. Top stuff indeed!”

“What you guys delivered is completely different… Nothing sounds like this. The sounds seem perfect for anything from a really intelligent dance remix to the score for ‘Battlestar Galactica’ or a billion other movies… Just awesome inspiring kick-ass sounds!!”

“I really love the multi-sampled organic patches – truly original sounds that inspire new ideas with a few notes. Seriously, though…you guys are making it WAY TOO EASY to sound like a synth programming maestro. Aeon is so tweakable and easy to make your own. And man, what a sound! I’ve never heard synths that sit so well in my mixes without touching a thing – full and fat without taking up too much space. I hate that it’s getting released to the public…can’t we keep this one between us?”

“Just like with Evolve, Heavyocity delivers once again with their newest Mutations. It’s incredibly wicked and a must for any serious composer!!”

“The diversity of sound within GRAVITY is astonishing. Each sound inspires new ideas and creative techniques that enhance my writing process. The elements in GRAVITY not only sound great but are very musical and functional. Music/Sound design is pushed to new limits with GRAVITY. Any musician will benefit with GRAVITY in their toolbox.”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”

“For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”

“AEON is a welcome addition to my toolkit. It’s sound quality and ease of use is refreshing. Like DAMAGE before it, AEON presents a vast array sonic possibilities for the hybrid music composer.”

“Your product is great, and the sounds are really super useful. As you know we’re always looking for something a little different to stay current, and Evolve definitely fits that bill.”

“With DAMAGE, the Heavyocity guys redefined percussive sampling. Now with AEON they created an entire universe of organic hybrid sounds ready to be mangled at your finger tips. Never has a sample library had this many features and powerful effects. Better hurry, I’m already using it on my next score.”

“VENTO: Modern Woodwinds is another stellar quality release from the team at Heavyocity. This library completely delivers a wonderful and deep array of woodwind textures; From the more organic Traditional patches, to many more incredibly sound-designed Evolved patches, which composers always enjoy from Heavyocity. There is such a huge variety of sounds in this library, from the more traditional woodwind textures, to Ambient pads, aletoric FX and Textures, all the way through to Rhythmic elements and Loops. You have definitely not heard woodwinds like this before! Superb! If you are working in modern scoring you should buy this. Adding it to my template immediately is a no brainer.”

“Mosaic Voices is packed with endless combinations of inspiring sounds and underlying movement. I find it to be a great springboard for ideas, whether it be the foundations of a cue or a song. The GUI, which is definitely a descendant of their previous releases, is easy to maneuver and makes customizing each of the three channel’s sounds super easy and fun.”

“Clearly a huge amount of creative energy and musical ability has gone into making Evolve the unique and useful instrument that it is. I continue to be impressed.”

“Heavyocity has released yet another indispensable addition to the Gravity line. From the slick pulses and phrases to the evocative beds and drones, there’s some really fresh and inspirational sounds begging to be added to your palette.”

“Another tasteful advance in electronic music making weaponry from the vibrant and virile imagination of Heavyocity.”

“DAMAGE is amazing. It manages to push the high standards of the previous creations of the Heavyocity team. DAMAGE has the trademark of the industry, but in a wider and more poignant scope. Great cinematic stuff, energetic, refreshing, and inventive. Thanks!”

“There are so many interesting sounds in the DM-307 that I plan to use. I found there to be a lot of really nice dark percussion and cool hi hats. Very dark-techy….and also a little bit electro!”

“FORZO: Modern Brass is the new overlord of all brass libraries. It’s extremely playable and the interface is slick and effortless with plenty of control. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. The additional “mangling” options are my favorite and never fail to spark inspiration.”

“AEON does to melody and harmony what Evolve and DAMAGE did to percussion, loops and fx. It provides a great repertoire of sounds and sequences for scoring, using a clear and clever interface and the right tools to bring life to your track. The quality is outstanding, the choices are always edgy and perfectly contemporary. I hope it will be followed by more products like this one. The more you will use it the more you will love it…”

“I knew in about two minutes that Aeon would be welcomed with open arms into my studio. “This thing is awesome!” was the initial reaction. The sounds are really well done, very creative and very useful. And I love the super clean interface. You can easily tweak the sounds and mold them into what you need, without getting lost in a sea of pages and menus. It’s all very accessible and integrates right into the workflow. Thank you team Heavyocity.”

“GRAVITY is a cutting-edge, unique design tool that uses intensely well-recorded live orchestral and analog sources to create modern ambiences, pulses, risers and more. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend.”

“A great go-to tool that combines what you need to add a controlled amount of saturation and punch to your percussion, or to unleash total mayhem out of your analog synthesizers.”

“The Heavyocity team has done it again with Vento. What an incredible inspiration this new library is for starting a project or ending a project. It provides a source of inspiration in the creative production of the winds, while also providing an imaginative color and flavor which we’ve found to be infinitely useful. Composition encapsulates writing, performing, producing and recording. Vento really allows you to uniquely explore all four of those avenues in the way it’s been done and it does it in a very user friendly way.”

“Instantly inspiring, this is yet another Heavyocity instrument that checks the ‘I always wanted this’ box for me! Zero learning curve, maximum adaptability – goes straight into my main template!”

“In the crowded world of sample-based Sound Design & film scoring tools Heavyocity’s Aeon series stands apart not only in terms of it vast array of  progressive timbres, tone colors, & moods but in the attention to user controllable aspects that encourage users to make their Aeon Soundscape experience  truly their own. Fantastic!”

“I had the chance to try NOVO and I was amazed by the versatility and the intuitiveness of the instrument. Here we have a very powerful tool, using classic or unusual string sounds, plus a very large library of ’designed strings’ and, perhaps even more importantly, a very strong ‘Loop Designer’ machine, ready for immediate use, or with some sophisticated programming, more custom results. NOVO fills a gap that we composers were feeling when creating music with a rhythmic contemporary approach and, at the same time, an orchestral or post-orchestral sound. This may be the beginning of a new concept of great virtual instruments! Thanks Heavyocity!”

“Rhythmic Textures definitely has Heavyocity & Jason Graves’ signature all over it, in the best way. The basic bones of it, the actual samples recorded, are ripe with compelling motion, but then the ability to utterly mangle them from there forward is truly powerful. It was a joy to experiment and instantly profoundly useful.”

“Very cool presets and sounds. It’s great for creating loops from another approach. I seriously dig the drum and hi-hat banks. Good stuff!!”

“Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

“Applying Heavyocity’s PUNISH to my tracks and mixes feels like somebody put a huge drum stool thumper under my seat!”

“ASCEND is a beautifully-sampled grand piano. Straight out of the box, the Core Concert D fits perfectly within a myriad of different mixes. Heavyocity treats this piano no different than any other library they’ve created. As beautiful as the original piano does sound, and this library could stand on its own with just being a sampled grand, the bulk of the library gets Heavyocity’s signature treatment. The palette of sounds, whether pads, ARPs or rhythms, is immensely inspiring to say the least. They’ve done some pretty innovative stuff with ASCEND, taking full use of Kontakt’s abilities. There’s a lot going on under the hood. I was off and running on three different pieces just from hearing and being inspired by these sounds. ASCEND definitely gets the creative juices flowing and I am glad it’s part of my arsenal.”

“We are already using DM-307 on every new cue we’re scoring on ‘Almost Human’! We know we’re just scratching the surface on what seems to be an infinitely limitless production tool! The sounds and flexibility are amazing!”

“Sometimes my sounds are bad and need to be punished. Now I just run them through PUNISH and they become even more bad ass!”

“Synthetic Strings is yet another ‘add-on’ pack to Heavyocity’s NOVO that is loaded with an abundance of material. Many presets harken back to the synths of the 70s & 80s, which can easily find their way into many modern productions. Once again the treat in this Pack is the Designer Patches. How they manipulate these synths in the ‘Designer Patches’ is beyond me, but I can always count on Heavyocity to spark the fires of creativity.”

“EVOLVE MUTATIONS 2 delivers a new kick-ass set of inspiring, great sounding, very playable loops and instrument patches. Letting you play, process and “evolve” the sounds in real time using just your keyboard and key commands, EVOLVE MUTATIONS 2 delivers like nothing else. I’m hooked!”

“Rhythmic Textures is not a replacement for your string library, instead it is one of those rare sample libraries that inspire ideas from the composer immediately upon playing them. The samples are rich and organic and very realistic sounding. When you play them you are immediately enticed to compose using these moody evocative smaller string ensembles, rich in mood and attitude and ideal for the composer who scores to picture. Best of all, they suggest ideas without dictating them. Highly recommended.”

“GRAVITY is the perfect tool for any composer scoring to picture. The sounds are inspiring and categorized in a really smart way. The interface is deep but also quick and intuitive. GRAVITY has already become one of my go to scoring tools. Thanks for nailing it again, Heavyocity.”

“Damage 2 is right up my alley, but besides being a worthy successor to the Damage throne, it’s so much more. Along with the expected ultra-hard hybrid style hits and processed loops, the organic and ethnic percussion side is hugely expanded, with a massive selection of drums that are impossible to find and difficult to record. The control I get from the front panel allows me to craft my mixes from natural-sounding to way bigger than life, and the perspective mixer and kit builder features let me work with exactly the mix of sounds I want in a single Kontakt instance. It’s no surprise that Damage 2 is an absolute must-have for modern film composers.”

“FORZO: Modern Brass is the new overlord of all brass libraries. It’s extremely playable and the interface is slick and effortless with plenty of control. There are many libraries out there striving for orchestral realism, but Heavyocity has gone above and beyond and delivered much more than that. The additional “mangling” options are my favorite and never fail to spark inspiration.”

“Evolve captures the top qualities I look for in a library: cinematic gravitas. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired.”

“Evolve Mutations 2 take the core musical and sonic coolness of Evolve to a completely different level. The sounds are extreme and evocative. A really great tool for anyone in music production.”

“Damage 2 is insane! It’s a new benchmark in production quality that gives us easy access to sound manipulation allowing for an infinite number of ways to custom craft a sound into your cues and songs. The overwhelming power of the hits is exactly what is needed to accent moments with a strong punch. The performances are organized brilliantly for quick inspiration, which is crucial in heavy writing situations and the interface is intuitive. Loving Damage 2 at our studios right now.”