“Partnering with Heavyocity to produce Rhythmic Textures made me feel like a kid in a musical candy store. I normally shy away from loop-based orchestral samples but I believe composers will find these instruments both inspirational and extremely versatile. I’m quite proud to be part of such a unique product.”

“As a remixer, I’m always looking for new sounds that bring fresh attitude to a track. Evolve Mutations 2 has the most inspiring collection of sonics under one instrument, that I’ve heard in years! When it comes to edgy glitchy, industrial beats, nothing comes close. If I’m looking to elevate the atmospherics and deepen the production, Evolve Mutations 2 is the first place I go.”

“Ethnic Drum Ensembles is the library I was always longing for when I wanted “that” huge ethnic sound! As soon as I heard this newest release by the Heavyocity guys I knew they nailed it again as they did with all their previously released products!”

“Heavyocity have done it once again. On loading the first few patches of GRAVITY, I knew that this library was truly unique in it’s sound. The impacts are earth shattering, the pads are both beautifully haunting and utterly twisted at the same time, and the risers are simply massive. This is a wonderful addition to the other Heavyocity libraries, and GRAVITY fits into my sonic palette like a glove and is already firmly in my template.”

“Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

“Within seconds of installing DAMAGE it became an essential part of my studio. It’s unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit.”

“Sometimes my sounds are bad and need to be punished. Now I just run them through PUNISH and they become even more bad ass!”

“NOVO is an instant classic. I swear we will be hearing it everywhere in the coming months, and that’s because it’s so darn good and inspiring. As soon as you press a note you get a vibe going, but then you can delve in, assign parameters to faders, and really start sculpting these patches to the way you like them. A premium library from the Heavyocity guys”

“It feels like you took my six outboard compressors and created a plugin especially for me. I’ve become very picky about my software dynamics over the years and PUNISH is above and beyond anything I’ve encountered – a fantastic combo of vintage vibe with all-in happy sauce for that pro gloss.”

“Heavyocity have done it again. NOVO is one of the coolest and most inspiring musical tools I’ve played with in a long time. I use strings a lot, like every day, so I’m not easily impressed. At its core you have a fantastic full spectrum string library, recorded at one of my favorite stages in Los Angeles. The sounds are punchy and the presets are bold. But then you add the brilliantly twisted, yet simple-to-use interface that Heavyocity are known for and you’ve got something truly special. Strings will never be the same.”

“Natural Forces is truly an impressive sound synthesizer. The design of these sounds are unique and compelling. Natural Forces can provide multiple uses for musical ideas or sound-designing projects. Natural Forces is a wonderful pack to explore.”

“What can I say? Heavyocity continues to blow me away with their amazing and infinitely adaptable sounds. These drums are so modern and punchy, oozing with analog mojo that so many sample libraries seem to be missing. And the interface! So a treat to use – classy looks with ultra intuitive controls. Heavyocity makes it so easy to tweak the sounds and make them your own. Hands down the best looking, and sounding, virtual instruments available.”

“Rhythmic Textures is not a replacement for your string library, instead it is one of those rare sample libraries that inspire ideas from the composer immediately upon playing them. The samples are rich and organic and very realistic sounding. When you play them you are immediately enticed to compose using these moody evocative smaller string ensembles, rich in mood and attitude and ideal for the composer who scores to picture. Best of all, they suggest ideas without dictating them. Highly recommended.”

“The sound of the DM-307 is awesome! You don´t need to add tons of plugins to get it to sound good. The sounds are ready to use in your productions.”

“Finally someone has made high string effects with bends! NOVO is incredible! The panning and tuning are spot on. It’s so deep and useful, both for traditional and synth strings, that it has won an immediate place in my template.”

“I have tools that are subtle and tools that slam. PUNISH is a great way for me to slam fast when I need to. Easy to dial in and make a sound more exciting.”

“With DAMAGE, the Heavyocity guys redefined percussive sampling. Now with AEON they created an entire universe of organic hybrid sounds ready to be mangled at your finger tips. Never has a sample library had this many features and powerful effects. Better hurry, I’m already using it on my next score.”

“I am not a ‘sample library’ kind of guy, but this thing blew my f-ing mind.”

“I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

“Every once in a while a sample library comes along that raises the bar. Evolve has done just that, it’s outstanding, and should be on the must-have list for any composer.”

“Being a guitar player myself, I tend to shy away from any kind of virtual guitar instruments. But Heavyocity has taken guitars to a whole new level with Scoring Guitars 2. I love the clean tone of the instrument and having so many choices to distort, mangle and overall punish the original sound. The forward and reverse options are also inspiring and huge timesavers.”

“NOVO was, to borrow the phrase, “Raw Inspiration.” It went into my permanent template the afternoon I first tried it. It has a modernity to it that was immediately apparent, and I have big love for the stage it was recorded at as well. NOVO just has a tightness and contemporary feel to it that I loved right out of the gate, and is very playable which is something not
to be overlooked. Two thumbs up”

“The beauty of Evolve is the deadly combination of first-rate, out-of-the-box sounds with the all too easy ability to tweak everything to make it your own. It’s the best of both worlds! Evolve is at the top of my ‘go-to’ list for inspirational and evocative sounds. It’s easily one of the best sounding virtual instruments I’ve had the pleasure of playing.”

“Just when Evolve had become one of my ‘go to’ musical sound design instruments, Heavyocity piles on the awesomeness with Mutations 2. I love the new designy pads, great new hits, the new interface and the real time trigger FX. 2 thumbs way up and a big grin on my face. Very useful stuff!”

“Heavyocity has raised the bar with DAMAGE; the sounds, controls, and the programming of DAMAGE are truly inspirational.”

“Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

“In the crowded world of sample-based Sound Design & film scoring tools Heavyocity’s Aeon series stands apart not only in terms of it vast array of  progressive timbres, tone colors, & moods but in the attention to user controllable aspects that encourage users to make their Aeon Soundscape experience  truly their own. Fantastic!”

“Ethnic Drum Ensembles is one of those fantastic libraries where you load up a patch and you have something awesome at your fingertips immediately. But then you can get into the deep layers of effects and processing and really make every patch your own. Likewise the loops have that Heavyocity cool thing going on, but there is plenty of room for manipulation. Another incredibly useful tool from the Heavyocity boys.”

“PUNISH is a great combo of glue, punch, and character. You can really dial in the desired intensity, it’s incredibly well-conceived and the PUNISH Knob is genius.”

“Applying Heavyocity’s PUNISH to my tracks and mixes feels like somebody put a huge drum stool thumper under my seat!”

“I’ve always loved Heavyocity because of their bold and in your face approach to sound design. The standalone PUNISH effect is everything I hoped it would be. So far I’ve used it on percussion and synths for that extra bit of mean and nasty, and I look forward to trying it out on pretty much everything else. Thank you Heavyocity for this dangerous new tool.”

“AEON Melodic and Rhythmic are two extremely powerful instruments packed with high end sounds and I can’t wait to explore them further in the next weeks! Expect some new tunes from me with AEON sounds involved!”

“Holy interface Batman! GRAVITY is an unbelievable feat in sampling technology. Not only does it sound awesome..with endless possibilities, but it’s just plain fun. Which is where the best inspiration comes from. Thank you, Heavyocity! GRAVITY kicks a$$!”

“The DM307 is an extremely versatile groove making powerhouse. The range of this instrument amazed me. From out-of-box killer grooves to being able to meticulously craft your own by using their new GRID and LOOP MUTATOR features. With an enormous library of sounds and the ability to tweak, the DM307 is a welcomed addition to my sound and style of writing.”

“I like having a huge pallet of sounds to draw from, and DAMAGE has extended mine further. It’s not just a preset factory though, there’s so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too.”

“Wow, GRAVITY is way beyond everything else I had in my fingers when it comes to dark and sinister sound design, and it’s even beyond that. Actually, it’s the world’s nemesis in a playable instrument and you can control every parameter of doomsday.”

“Instantly hooked on the DM-307. Its fluidity to write drums is amazing and the structure is well-planned out. Full support on this and to The Heavyocity team.”

“The other day I wandered into the studio and noticed an unfamiliar and spooky looking interface glowing at me from the computer. Turns out its the new Heavyocity GRAVITY, which my assistant had set up. I sat down, pressed a key, and started laughing out loud. GRAVITY is stunning. You guys have done it again.”

“Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”

“Heavyocity is without a doubt far beyond their peers and at the forefront of using Kontakt & it’s scripting abilities to the fullest. This time, with Aeon they not only created new content, but new original tools to manipulate the synths & rhythms, giving the artist even more creative control than ever before. Using their custom intuitive interface, coupled with it’s outstanding content puts Aeon over the top. There is no other library like it.”

“DM-307 has a great deeply customizable interface to create the rhythm, energy and motion I need for my scores. I look forward to digging in to yet another sonic feat from Heavyocity.”

“GRAVITY lives up to its name for me. Deep, Cinematic, and extremely playable. It brings such instant satisfaction, but with extensive tweak ability as well. It just sounds Alive to me. An instant addition to my next movie score”

“GRAVITY is the perfect tool for any composer scoring to picture. The sounds are inspiring and categorized in a really smart way. The interface is deep but also quick and intuitive. GRAVITY has already become one of my go to scoring tools. Thanks for nailing it again, Heavyocity.”

“Great stuff! A very nice addition to the previous library (Evolve). Thumbs Up.”

“A great go-to tool that combines what you need to add a controlled amount of saturation and punch to your percussion, or to unleash total mayhem out of your analog synthesizers.”

“Another tasteful advance in electronic music making weaponry from the vibrant and virile imagination of Heavyocity.”

“I love it! The bass frequencies sound amazing and the highs have the perfect brightness. Ground-breaking!”

“I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

“Just like with Evolve, Heavyocity delivers once again with their newest Mutations. It’s incredibly wicked and a must for any serious composer!!”

“It rages, rips and roars in to pole position on my sound template. Awesome recordings put to intelligent use in an easy-to-use box. Once again, keeping the heavy in to Heavyocity! Nice one.”

“If I were a director, I could not resist shooting a scene on every single one of the ‘Ambient-Elements’ patches! I especially love the more minimal elegance on some of the synth-presets. Leading-edge stuff!!”

“For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”

“Still in shock. Endless possibilities. Breathtaking sounds. Quite literally three instruments in one! Having control over both the natural, modern string instruments and their processed, mangled counterparts is a stroke of genius.”

“AEON does to melody and harmony what Evolve and DAMAGE did to percussion, loops and fx. It provides a great repertoire of sounds and sequences for scoring, using a clear and clever interface and the right tools to bring life to your track. The quality is outstanding, the choices are always edgy and perfectly contemporary. I hope it will be followed by more products like this one. The more you will use it the more you will love it…”

“DAMAGE is a great musical tool for those looking for ballsy percussive sounds that will add color and vibrance to their tracks.  It has great sounds and an intuitive interface.”

“Clearly a huge amount of creative energy and musical ability has gone into making Evolve the unique and useful instrument that it is. I continue to be impressed.”

“PUNISH is brilliant. Accurate and precise, it can add simple punch to your track or mixes or completely destroy them! It already did wonders on my Analog synth tracks for the Deus Ex Mankind Divided soundtrack!”

“DM-307 continues to innovate the Heavyocity sound through immersive sound design and musical programming. DM-307 offers me a versatile sound palette that expands the possibilities of musical expression and creation.”

“To my ears, GRAVITY is complete perfection. There is a staggering variety of colors in GRAVITY but there is also an overall unifying design to it. The ambient sonorities are lush, evocative and hypnotic. The Risers and Stings are spectacular and the Hits are huge and completely awe-inspiring. I think GRAVITY is the greatest sample library ever produced.”

“Scoring Guitars 1 was an integral part of my sound for the tv show, Freakish. With Scoring Guitars 2, they’ve raised the bar again and provided a collection of sounds that will instantly add motion and drama. Whether I’m starting a cue from the ground up, or peppering in a bit of SG2 for color, these new sounds are instant inspiration.”