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Composer Kristopher Carter Joins The Brief

The Brief / August 27, 2021

Sound On Sound Reviews Scoring Acoustic Guitars

Reviews / August 25, 2021

Instagram Giveaway Starts Today!

News / August 16, 2021

Our Interview with TSO Keyboardist Jane Mangini

Interviews / July 30, 2021

FSM Online Reviews NOVO and VENTO

Reviews / July 22, 2021

Creating Cinematic SFX with Damage 2

D2 Tips & Tutorials / July 21, 2021

Composer Kevin Riepl Joins Episode 3 of The Brief

The Brief / July 9, 2021

Things We Love: Moog Synths on The Click Track

Podcast / June 25, 2021

Things We Love on The Click Track

Podcast / June 11, 2021

Recomposing Loops with Damage 2

D2 Tips & Tutorials / June 4, 2021

Our Interview with Composer Lolita Ritmanis

Interviews / June 3, 2021

Composer Tom Salta Joins Episode 2 of The Brief

The Brief / May 28, 2021

Our Interview with Saw Franchise Composer Charlie Clouser

Interviews / May 25, 2021

2-Hour Cues, Episode 7: Writing a ‘The Conjuring’ Cue

2 Hour Cues / May 21, 2021

Introducing The Click Track with Jason Graves & Ari Winters

Podcast / May 13, 2021

Mosaic Pluck Review: “Another welcome addition to this series.” (KK-Access)

Reviews / May 6, 2021

Episode 1 of The Brief is LIVE

The Brief / April 16, 2021

Introducing The Brief. Premiering April 16.

The Brief / April 9, 2021

Our Interview with Steve Vai Bassist Philip Bynoe

Interviews / March 12, 2021

HY Blog: Vintage King Highlights New HY Studio

News / March 3, 2021

Scoring Acoustic Guitars Quick Look: “This is a heavyweight beast of scoring, packaged all in one!” (Sample Library Review)

Reviews / February 19, 2021

Mosaic Tape Review: “A comprehensive collection of signature sounds.” (Epicomposer)

Reviews / January 9, 2021

HY Blog: API Features HY’s New Studio

News / December 31, 2020

Damage 2 Review: “An undeniable champion in the arena of hybrid cinematic percussion.” (Synth and Software)

Reviews / November 5, 2020

Mosaic Bass Review: “Heavyocity has managed to create something really interesting here.” (Sound On Sound)

Reviews / October 30, 2020

Damage 2 Review: “A fitting continuation of the bombastic classic.” (Bonedo.de)

Reviews / October 26, 2020

2-Hour Cues, Episode 6: Writing a Tenet-Style Cue

2 Hour Cues / September 24, 2020

Damage 2 Review: “Do you need this? Yes, you absolutely do.” (MusicTech)

Reviews / September 17, 2020

ASCEND Review: “Cons: None. 5 out of 5 stars!” (Bonedo)

Reviews / October 7, 2019

2 Hour Cues, Episode 5: Writing an Epic Endgame-Style Cue

2 Hour Cues / August 9, 2019

2 Hour Cues, Episode 4: Writing a Mad Max-Style Action Cue

2 Hour Cues / June 28, 2019

Our Interview with All That Remains Guitarist Jason Richardson

Interviews / June 21, 2019

Our Interview with Composer Ronit Kirchman

Interviews / May 31, 2019

Episode 2 of “Mix The Score” is LIVE

Tutorials / April 18, 2019

Our Interview with Composer Paul Haslinger

Interviews / March 15, 2019

2 Hour Cues, Episode 3: Writing a Blade Runner-Style Synth Cue

2 Hour Cues / March 1, 2019

Introducing Mix The Score, with Satoshi Noguchi

Tutorials / January 10, 2019

Our Interview with Oscar-Winning Composer Dario Marianelli

Interviews / January 4, 2019

Our Interview with “Tag” Composer Germaine Franco

Interviews / November 8, 2018

2 Hour Cues, Episode 2: Writing a Superhero Theme

2 Hour Cues / October 25, 2018

HY Blog: Who is Amy Beach?

News / September 21, 2018

HY Blog: Next Stop, Nashville?

News / September 6, 2018

Our Interview with Vocalist/Composer Tori Letzler

Interviews / August 29, 2018

HY Blog: Female Film Composers Closing the Gender Gap

News / August 2, 2018

HY Blog: Making a Robot Orchestra Come Alive

News / July 20, 2018

Introducing 2 Hour Cues. Composing on a Deadline.

2 Hour Cues / July 6, 2018

HY Blog: Music Modernization Act

News / July 5, 2018

Our Interview with “Wonder Woman” Composer Rupert Gregson-Williams

Interviews / September 15, 2017

Our Interview with “The Knick” Composer Cliff Martinez

Interviews / October 16, 2015